Monday Missive — November 12, 2018

Quotes

Pilgrim leaves crowd the air with their falling every October. The journey is always the same.” — Linda Pastan

The ritual sadness of the season is more voluptuous than joy.” — Linda Pastan

Art is, or ought to be, a reliable refuge for idiosyncrasy in a society that increasingly views the idiosyncratic with suspicion.” — Colin Dabkowski

Links

– Auto functions in PS that quickly and easily get your post processing started
– Select subject With the use of AI, this has become a really helpful tool.
– Wildfife photographer of the year winners
– Update on copyright issues
– Improving fall color
– Should landscape photographers explore?
– Blend long and short exposures to make the best long exposure images
– Examples of Noir photography
– Removing fringes from a tree after a sky swap
– 50 images of gritty NY in the 1970s

Stigma and anthers of Asian Lily.

From an exercise with friends.

Monday Missive — August 20, 2018

Quotes

Experience has shown that the more fascinating the subject, the less observant the photographer.” – Andreas Feininger

The picture is like a prayer, an offering, and hopefully an opening through which to seek what we don’t know, or already know and should take seriously.” – Emmet Gowin

Some speak of a return to nature. I wonder where they could have been.” – Frederick Sommer

Links

– Be patient and adapt to conditions
– Learning from “bad” images
– Get better HDR results in PS by using 32-bit not available in LR, but here is a followup from Adobe to Kelby explaining his results and showing an advantage for LR.
– Urban landscapes
– How to add color to your images
– Latin American nature photo ops
– Franklin and Nantahala: Not just the National Park
– 2 minute tip on doing the “Orton Effect”
– What do photographeres owe their subjects? This was an exceptionally interesting discussion.

From Steve Oney:
– TED talk by Sabastiao Salgado In my opinion Salgado is the most accomplished BW photographer practicing today. He is in the same league as Cartier-Bresson, Eugene Smith, Lewis Hine, Jacob Riis, and Dorothea Lange.

Stone cairns on a beach at the North Cape of Prince Edward Island, Canada on a drizzly day.

Monday Missive — June 18, 2018

Quotes

But Kandinsky did not intend for his theories to be prescriptive. Artmaking, he insisted, was about freedom.” — From How to Be an Artist, According to Wassily Kandinsky, by Rachel Lebowitz, Jun 12, 2017, Artsy.net

Quitting merely because you’re behind is a trap, a form of hiding that feels safe, but isn’t. The math is simple: whatever you switch to because you quit is another place you’re going to be behind as well. It’s not a race, it’s a journey. And the team that scores first doesn’t always win.” — Seth Godin, June 13,2018

It’s true that you’re not good enough yet. None of us are. But if you commit to trying hard enough and long enough, you’ll get better.” — Seth Godin, June 16, 2018

Links

– 6 Great artists on how to be an artist
– Pumas of Patagonia
– Nighttime landscape photography
– Controlling color and tonal edits with blend modes
– Adding an artistic element in nature photography
– More on photographic intent with McCurry’s “Afgan Girl” as an example
– More background on intent and the iconic “Afgan Girl”
– Seeking color and enhancing creativity 45 minute video from B & H Optic 2018, but definitely worth the time. Many great examples on how light, color, position, shape, repetition impact the emotion and perception of the image.
– Showing a sense of place in your travel photography
– Three tools that are more capable in Photoshop than in Lightroom

My Asian Lilies are finally open and are gorgeous in the early morning light.

Monday Missive — March 12, 2018

Quotes

“Photographers should follow their own judgment, and not the fads and dictates of others.” – Bill Brandt

“And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.” – Bill Brandt

“I consider it essential that the photographer should do his own printing and enlarging. The final effect of the finished print depends so much on these operations.” – Bill Brandt

Links

– Addiction photography
– Young Love
– Extracting liquid glass and smoke in Photoshop
– Sky replacement in Photoshop Shows lots of tools, including getting rid of the bright halos around selections.
– Photographing mountain hares in Scotland in winter Not for me, but still interesting.
– Capturing mist and fog
– Ralph Gibson
– Chromatic compositions
– The decisive moment: some really neat street photos

From Suku:
-Two houseboats converted to floating studios, touring Europe

On the Beach, part of a portfolio I have been working on for a couple of years.

Monday Missive — March 5, 2018

Quotes

“One reason so few of us achieve what we truly want is that we never direct our focus; we never concentrate our power. Most people dabble their way through life, never deciding to master anything in particular.” – Anthony Robbins

“Concentrate on your motivation… and the thought of what about the scene made you stop to look.” – Richard K. Kaiser

“Who knows how many artists fail because the light that shines through them is defracted in a thousand directions and not concentrated in a single beam?” – Eric Maisel

Links

– High speed flash sync
– 9 BW tips More thoughtful than usual
– Using camera calibration to control color
– Surrealist photographers
– Tips on Nikon settings Some are really neat, like how to save your settings to a card. I would expect that Canon et al. has similar options.
– Color look-up, especially “Crisp-warm” and using the color blend mode
– Introduction to Masks
– Lensbaby velvet lens I rarely do equipment, but I have the 85 mm version so I wanted to see how this experience compares with mine.
– Slow speed synch on flash
– Photographing gannets at the end of the world

Ancient live oak and house on Daufuskie Island, SC.

Ancient live oak and house on Daufuskie Island, SC.

Monday Missive — February 19, 2018

Quotes

… creativity is about two things: the way we think, and the way we turn those thoughts into reality.” — David duChemin

We all start in this medium because of the magic and the challenge is to keep it going.” – John Sexton

I like the simple things. I don’t know why. I’m that way. I came from a simple place.” – Harry Callahan

Links

– Stuck in a rut? Use color to rev your engine
– Progress in cell phone image quality over the last 5 years
– Mastering the pen tool If you make selections, this is really helpful.
– Caponigro: Creative process
– Processing night photography
– Creature captures
– What’s new in Lightroom?
– Compositing in “mini-people”
– Color matching when compositing Good on details of compositing.

From George Spicer:
– Creating depth with color

Congaree National Park, SC

Monday Missive — February 12, 2018

Quotes

The choice of motivation is a fork in the road. … It changes the story we tell ourselves.” — Posted by Seth Godin on February 02, 2018

Photographs can be reduced to light, lines and moments. Everything else is derivative, a subcategory or effect of those three fundamentals.” — David duChemin

But the truth is, it’s not the idea, it’s never the idea, it’s always what you do with it.” — Neil Gaiman

Links

– Understanding raw processors
– Fan Ho, BW master street photographer
– Working with layers in PS
– Part 2 of Mastering your craft: Overcoming obstacles to mastery
– Part 3 of Mastering your craft
– Getting your LR CC images back from the cloud
– Composition
– The Kallitype process
– Accessories for macro photography
– Changing color in LR There are similar controls in Camera Raw if you use PS. It also seems you could do similar things with a color layer.

Catwoman waiting for you in the dark.

Monday Missive — June 5, 2017

Quotes

If you try to corral or cage the photographic process, it will thumb it’s nose at you. The trick is just to flow with it and stop it when a moment of discovery has met inspiration.” — Paul Caponigro

A good snapshot stops a moment from running away.” – Eudora Welty

Photography is a language more universal than words.” – Minor White

Links

– Macro at 1:1 and beyond
– Falls of the Columbia River gorge
– Details and grand landscapes
– Colorizing Historic BW photos Shared by Kay. This isn’t a “how to” but looks at the work involved to be accurate and the implications. Interesting video.
– Art of Photography Assignment 7: Motion
– Safety tips for travel
– Quick tips
– Finding critics
– Consider the frame

Another approach to an image posted on Feb. 27, 2017 ( http://richeskinphoto.com/blog/?p=1991). Compare and comment. Which do you prefer and why?

Monday Missive — May 29, 2017

Quotes

The doing is the thing. The talking, and worrying and thinking about the thing is not the thing.” — Amy Poehler

Every photograph is altered, to one degree or another.” – John Paul Caponigro

Many oriental cultures make a distinction between two ways of looking – ‘hard eyes’ and ‘soft eyes’. When we look with hard eyes, we see specific details with sharp focus, but we don’t see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don’t see all the details as clearly. It’s possible to look in two ways at once.” – John Paul Caponigro

Links

– Using color gradients in compositing to add emotional impact Another excellent Kost video
– Venice rookery in FL
– Award winning composites
– What it is really like taking pictures at Antelope Canyon
– Focus stacking in Photoshop Although more commonly used for close-ups, focus stacking can also be useful for landscapes to keep the foreground, mid-ground and background all in focus.
– Minimalism I think the author is too negative about this compositional approach, probably mostly because he feels it is overused. It is one tool in the box and works really well for some images.
– Nature photography
– 10 Nudges toward action
– Shooting close-ups with extreme wide-angle lenses
– Bellows for macro photography

They are 4 years early and getting noisier by the day. Climate change?

Monday Missive – May 15, 2017

Quotes

Dreams and photographs have something in common… ” — Minor White cited in “Manifestations of the Spirit”

Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest – a distant horizon, a moment of light, a held expression.” – Sam Abell

The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can’t be photographed. You just have to keep doing it.” – Eliot Porter

Links

– Lepp: Accessories for nature photographers
– Shooting the Milky Way This article provides explanations I haven’t seen before.
– Noise
– The meaning of color
– Iceland Part 2
– Creativity
– Match color when compositing
– Adjusting colors in landscapes In the first part it shows how to do color selection using the saturation panel
– Taking total control of a high contrast, high dynamic range image
– Taking multiple exposures for compositing
– Using a telephoto for landscapes No surprise to me, I more often use a telephoto for landscapes than a wide angle.

Iris bud. Taken in my front garden.

Monday Missive — April 24, 2017

Quotes

I don’t pretend to relate, which is why I turn to art to learn things I don’t understand.Jonathan Blaustein on Apr 14, 2017, Photofolio

Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.” – Matt Hardy

Diane [Arbus] is no longer pretending to photograph life uninterrupted. These people are aware that they’re being photographed, and the images are more loaded for it. Here I am, their faces seem to say, so what do you need to know?” — Alex Mar

Links

– The impact of scratches on your lens
– Depth of field and macro photography
– What makes an experienced photographer?
– How to change the background color in photoshop
– Ideas for traveling lighter
– Quality of light
– Titling your work
– Robert Glenn Ketchum’s great conservation work The mine proposal was really horrific when you see what an incredible natural area it is.
– Reflections
– Photo composites
– Plan a road trip

Tulip stem and petals. Sherwood Gardens, Baltimore. 200 mm micro lens, f/16, 1/100, ISO 400, EV +1, diffuser.