“The tool so many of us use to make our art—the camera—is also a way to see the world; to be more alive in this world. It can be a tool that brings such joy, and a means of saying things about the world, and ourselves, that we might not have otherwise. … It holds you to no obligation except that you hold it to your eye and see things anew.” — David DuChemin
“Most of the pictures you see, you actually miss. So inevitably, what you end up doing is taking a lot of rubbish. In fact, the basic theory is, the more rubbish you take the better the chances of a good photo emerging as well. So, keep on taking the rubbish.”
— Martin Parr, Magnum Photographer, from The Art of Street Photography
“Saturate yourself with your subject, and the camera will all but take you by the hand and point the way.” — Margaret Bourke-White
Photo essays/Bodies of Work:
– Nick Brandt: This empty world Incredible realistic composites addressing the constant habitat destruction from “progress.”
– Abstracts on print paper using beer cans The idea is interesting. From the process description I’m unclear on how exposure takes place unless it is simply light leaks.
– Alec Soth: A year meditating and new approaches
– Andrea Modica. An interesting mix of street, documentary and portraiture
– Choosing the right neutral density filter Think in advance of what effect you are seeking. Too long, and the effect is overdone, i.e., I don’t like milk in my streams, but smooth water can be very nice.
From Steve Oney:
– Alan Schaller street photography
– How to light glass There are more videos in this series about lighting shapes, dimension and texture, separation, color, etc.
From George Spicer:
– Night Photography Events Calendar