“My work is inviting, hopefully, it’s also evocative and tells a story. Ultimately, the goal in my work is to elicit emotion, be it wonderment, joy, silliness, happiness, solitude. I think because I shoot for feeling rather than just for a scene, perhaps that makes my vision of the world and thus my photography, different.” — Marianne Drenthe
“If you are really listening, if you’re awake to the poignant beauty of the world, your heart breaks regularly.” – Andrew Harvey
“When you photograph a face . . .you photograph the soul behind it.” — Jean-Luc Godard
“Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma,” she once wrote. “They’ve already passed their test in life. They’re aristocrats.” — Diane Arbus
“I’m trying to please myself; certainly that’s a big criterion… though in a sense, I don’t take images just for myself. I take images that I think other people will want to see. I don’t take pictures to put in a box and hide them. I want as many people to see them as possible.” – Mary Ellen Mark, Mary Ellen Mark : 25 Years by Marianne Fulton, Page: 14
“I was never much of a promoter of my work—I’ve probably given away more prints than I’ve sold.” – Herb Quick
Original link from Steve Oney: – How to create luminosity masks in Photoshop Luminosity masks essentially select a narrow part of the luminosity (brightness) histogram and allow you to modify your image very precisely. So, if you wanted to select and darken only the light/lights you can do that without trying to brush what may be small or intricate areas. You can buy a program that automatically produces luminosity masks from Tony Kuyper or other locations. These programs may break the luminosity histogram into as many as 32 segments for great precision in modifying your image.
Thanksgiving table at my sister’s house. Food was great too.
“I don’t just look at the thing itself or at the reality itself; I look around the edges for those little askew moments – kind of like what makes up our lives – those slightly awkward, lovely moments.” – Keith Carter
“I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.” – Dorothea Lange
“Along the way I tried to convey that while nature has power and fury and should always be respected, she can also be funny, elegant and whimsical.” — Photographer Ruth Fremson about a poem by Joy Harjo in How poems inspire pictures