Monday Missive — June 8, 2020

Quotes

Great photography is always on the edge of failure.” –- Garry Winogrand

In terms of art, the only real answer that I know of is to do it. If you don’t do it, you don’t know what might happen.” –- Harry Callahan

Of course, there will always be those who look only at technique, who ask ‘how’, while others of a more curious nature will ask ‘why’. Personally, I have always preferred inspiration to information.” –- Man Ray

Links
Post-processing
– Change background color Also includes several selection and masking methods
– How to re-light a scene in Photoshop Using camera raw so it can also work in LR
– Color grading
– Layer masks for beginners
– How to light a portrait in camera raw

Field/Studio
– Single light critiques Lindsay Adler explains how to improve portrait/glamor lighting using only a single light.
– 7 techniques to improve your composition

Miscellany
– Clyde Butcher and the quarantine
– Eileen Rafferty: Seeing in BW Almost 2 hours
– Using a 110 year old camera Thanks to Steve O. This was interesting if not practical.

Found a spider in the house. He agreed to pose for a portrait to show off his gold grill. He is kind of cute, sort of makes you want to scratch behind his ears (if he had them). This is probably a jumping spider, although he didn’t jump, but was really fast.

I just really like the reflected emerald green. All I did to this was lens corrections and darken the light tree trunks.

Monday Missive — June 1, 2020

Quotes

Definitions belong to the definers, not the defined.” — Toni Morrison

You don’t need to explain yourself. Shoot what makes you happy.” — Sean Tucker

Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.” — Matt Hardy

Links
Photoessays/Bodies of Work
– Ruth Orkin

Post-processing
– Changing day to night in PS One more lesson on Lighting Effects
– Removing shadows
– Double exposure effect
– When to use PS over LR
– Photoshop layers for beginners

Field/Studio
– Camera settings for wildlife photography
– Getting started with landscape photography
– Using lace as a GOBO for creative portraits

Miscellany
– The beauty of platinum/palladium prints Tillman Crane uses a hybrid process taking digital images with a medium format camera but printing Pt/Pd in the darkroom.

Clematis. 200 mm macro in mornng sun.

Tiny mushrooms. 200 mm micro lens with 74.5 mm extension.

Monday Missive — May 25, 2020

Quotes

“. . . creativity is about doing the work rather than waiting for inspiration or talent to kick in.” — David duChemin

“inspiration is for amateurs, the rest of us show up and get to work.” — Chuck Close

“Do you want to be more creative? You’ve got to be willing to fail and start ugly, sometimes really ugly, and figure it out–refine it–as you go. . . . You need to be relentlessly you, to choose courage and persistence, to embrace your constraints and do something astonishing with them, to let those first efforts be ugly on their way to being beautiful. The only way to be more creative is to create more. We can all do that.” — David duChemin

Links
Photoessays/bodies of Work
– Federico Feliciotti – Italy
– Interesting series of single walkers

Links
Post-processing
– Adding sunset color to landscapes
– Montage portraits a la David Hockney Coutesy Steve O.

Links
Field/Studio
– Long lens macro photography
– 1 light beauty setup with graphic make-up
– Night and Astrophotography: A conversation with Rachel Ross

Links
Miscellany
– Three fantastic photography locations
– Sally Mann and the collodion process Thanks to Steve O.
– How to clean your lenses

Great blue heron with an itch.

Great Blue Heron. Over the shoulder “come hither” look.

Monday Missive — May 18, 2020

Quotes

Like all photographers, I depend on serendipity… I pray for what might be referred to as the angel of chance.” — Sally Mann

I want to record history through the destiny of individuals who often belong to the least wealthy classes. I do not want to show war in general, nor history with a capital H, but rather the tragedy of a single man, of a family.” — James Nachtwey

Understanding grows as you allow the landscape to come into you. Passivity, not acquisition, is the key to this. A good photograph is a received photograph, an exchange between you and the landscape, in which – however unlikely this may seem – there is a dialogue between the two of you. It is simply courtesy to allow the landscape to speak.” — Charlie Waite

Links
Photoessays/bodies of Work
– French doors

Post-processing
– Applying color swatches
– Using the Lighting Effect filter on landscapes
– Editing landscapes in Lightroom

Field/Studio
– Using a telephoto lens to improve your landscapes
– Selling prints
– Minimalist landscapes
– Long exposure photography

Miscellany
– A conversation with Sharon Tenenbaum Architectural and long-exposure photography
– Backyard Birding

Columbine in the morning, with Photomorphis Ethereal Light 04 texture.

Mature female eastern forktail. Note the mites along the thorax and anterior abdomen.

Monday Missive — May 4, 2020

Quotes

I have been obsessed for years with finding new projects to work on. … At times, I have purposely let go of that frame of mind and gone with, what I would tell myself, is the pleasure of just taking pictures. Sometimes it has worked out, sometimes it hasn’t.” — Alejandro Catagena

While images are strong individually, the experience of reading the accompanying text is integral to shaping the overall meaning.” — Kelli Connell

To send light into the darkness of men’s hearts – such is the duty of the artist.” – Schumann

Links
Photoessays/Bodies of Work
– American Bedroom
– Corona virus around the world
– Stephen Garza: Arriving 2020 One of the more interesting Corona related portfolios.
– Shapes and shadows of Scotland Very nice low key landscapes

Post-processing
– Injecting mood and emotion into your landscape images
– Lighting a portrait in Photoshop

Field/Studio
– Fun with Bokeh
– Simple water drop photography

Miscellany
– Using Instagram to become a better photographer
– The most important lessons for your photography

Finally getting out of the “pandemic funk.” Made it out to Black Marsh on Friday in a light rain. One car in the parking lot; saw two people on the trail, but easy to physically distance. Parts of the trail were completely flooded, with water flowing from one side to the other. Trail leading to the marsh was very muddy in some parts.

Great blue heron on the Black Marsh Trail. Color graded with Teal-Orange LUT at 50%.


Columbine from the front yard.

Monday Missive — April 27, 2010

Quotes

– 20 photography quotes

Links
Photoessays/Bodies of Work
– Really excellent nature composites
– Story telling with pictures
– Vietnam Portraits

Post-processing
– Using color properly in landscape photography
– Using gradient maps to increase the luminosity of portraits
– Mind blowing lighting effects filter in PS

Field/Studio
– Lighting a beauty image

Miscellany
– Preparing your images for Instagram
– Abstract with only paper and light
– Making your first photo book Some advice from Thomas Heaton, British landscape photographer. Unlike an exhibit, a book can be available to many more people, over a longer period of time. It is worth considering.

I’m working on a new book called “Winter Marsh: An exploration of color” with images and verse:
The warm sunrise flowed like liquid gold over the marsh
And swirled with the cool shadows of night
To gently overwhelm them,
Slowly taking control of the day.