Monday Missive — April 20, 2010

Quotes

“You think of photography as pictures — and it is. But I think of photography as ideas, and do the pictures sustain your ideas, or are they just good pictures? I’m not that interested in making more good pictures, I wanna have an experience in the world that is a deepening experience that makes me feel alive and awake and conscious, being an artist.” — Joel Meyerowitz

Be unafraid of your imagination.” — Joe McNally in Creative Live

Your camera is your passport into experiences.” -– Zack Arias in an interview with PhotoEditor (Jonathan Blaustein)

Links
Photoessays/bodies of Work
– Self-quarantine
– Ancient Forest/Ancient Trees Courtesy of Steve O.
– Coping with loss
– Leng Ung: Street photography in style of Fan Ho and Alan Schaller

Post-processing
– Split toning
– The power of selective color
– How to match colors when combining photos
– Manual processing a landscape focus stack

Field/Studio
– Street photography during the pandemic in Melbourne, AU. He gives a constant narrative while shooting which is what I found interesting. Particularly asking people if he could take their picture. Warning: a lot of cursing that seems to be part of his normal vocabulary.

Miscellany
– Interview w/a NYC street photographer Some interesting discussion of ethics and street photography

A blue jay is an occasional visitor to our feeder.

Monday Missive — October 15, 2018

Quotes

The conversations are exasperated, the verdicts swift, conclusive and seemingly absolute. The goal is to protect and condemn work, not for its quality, per se, but for its values. Is this art or artist, this character, this joke bad for women, gays, trans people, nonwhites? Are the casts diverse enough? Is this museum show inclusive of enough different kinds of artists? Does the race of the curators correspond with the subject of the show or collection? Increasingly, these questions stand in for a discussion of the art itself.” — Wesley Morris, in an article titled The Morality Wars in the NY Times Magazine, Oct. 3, 2018

But criticism isn’t about saying what’s bad — well, not only. It’s partly about situating a work in the world, in your feelings, in your collection.” — Wesley Morris, ibid.

There are as many photographs possible from a single negative as the artist can imagine. I can never bear to finish with a negative, to say, ‘This is it.’ Tomorrow I can come and make new pictures from that negative. This is the thing I love most of all: the making of the final picture. No one else can do that for me, nor do I ever completely satisfy myself.” – Nell Dorr

Links

– Extreme, extreme photography
– Milky Way panorama
– Is your agent really your agent?
– Seven important landscape lessons Acquired wisdom
– Fine art still life, setup and lighting
– Street photography with a twist
– Underwater macro: incredible colors and shapes: animals that look like they come from another planet
– Underwater in the the Inside Passage
– Joel Meyerowitz

From Steve Oney:
– Street shooter in NY
– 10 photographers who immortalized city streets

Dew drop in in the morning.