Monday Missive — October 30, 2017

Quotes

Processing Negative Reviews
Some people love what you do. …
So, how to understand it when someone hates what you do? …
It’s not for them. They want something you don’t offer. …
Some of these things you can address by telling a story more clearly, some you can’t.
Either way, right now, they’re telling you one thing: It’s not for them.
Okay, thanks for letting us know.
” — Posted by Seth Godin on October 19, 2017

There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it.” — Robert Adams

Making photographs has to be, then, a personal matter; when it is not, the results are not persuasive.” — Robert Adams, in Beauty in Photography

Links

– Photojournalism, ethics and constantly changing technology
– Point of view photography
– Great tip for removing fringing from selections
– New features in Photoshop CC 2018 New color and luminosity masks in RAW, better Select and Mask functions and better enlargement
– The power of curves
– What is Adobe creative cloud costing you?
– NIK is back!

URLs courtesy of Steve Oney:
– NIK alternatives
– Interesting BW film noir images
– More on the new Lightroom versions

Pugnacious Atlantic ghost crab and an empty shell. #Dewees Island, SC

Mail car from the B & O Railroad Museum in Baltimore.

Monday Missive — October 16, 2017

Quotes

In large measure becoming an artist consists of learning to accept yourself, which makes your work personal, and in following your own voice, which makes your work distinctive.” — David Bayles and Ted Orland in Art & Fear

I have reached the point where the craft is sufficient to the purpose, or at least attainable, but the purpose to which I will apply that craft is proving more elusive.” — Richard Eskin

Photography can light up darkness and expose ignorance.” – Lewis Hine

Links

– We have probably all felt this way at some time
– Photographing wildlife at rescue shelters
– Make it not take it!
– Best solar eclipse images
– Proper behavior around wildlife
– 2017 MacArthur Award winning photographer Dawoud Bey

URLs courtesy of Steve Oney
– Nikon Small World winners Some of these images are amazing.
– Monochrome images of national parks Some of these are quite good and some are taken with the Leica M Monchrom camera that is only BW.
– 50 great BW photographs A good way to take better photographs is to look at good photographs. Also links to previous lists. How many names do you recognize?
– Processing a Faroe Island image Learn something about BW from Cole Thompson.

Images from my recent workshop on #Dewees Island, SC with National Geographic Photographer Peter Essick.

Monday Missive — October 9, 2017

Quotes

“‘You’re doing it wrong’
But at least you’re doing it.
Once you’re doing it, you have a chance to do it better.
Waiting for perfect means not starting.
” — Posted by Seth Godin on October 02, 2017

I am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don’t find it, invent it!” – Pete Turner

You know, I really don’t think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.” – Garry Winogrand

Links

– How to use BW photos for creative or social campaigns
– Backlighting wildlife
– An interview with Jach Dykinga
– The Spectrum: Message and Media By Brooks Jensen Interesting hour-long talk by Brooks Jensen, publisher of LensWorks, on the history and future of image presentation. I highly recommend this video for advanced photographers who have been asking themselves “What do I do next?”
– Macro tips for beginners
– Long exposure photography
– Panoramas made easy
– Dealing with creative boredom
– Fast and simple Orton effect
– Feeling anxious about an upcoming photo trip? What is the worst that can happen?

There is a difference of opinion on the two images below. Both were taken at Lake Roland Park with a yellow filter on a 105/2.8 lens. The first may have a greater sense of depth because of the sharp fence, but the out of focus dam in the background creates some room for interpretation. The second has more interesting lighting and perhaps better balance and composition. Which do you prefer and why?


Monday Missive – October 10, 2016

Quotes

I was not part of the plot. I was on the outside looking in. A mere spectator peeking through the insulating and protective window of a lens.” – Chuck Kimmerle, The Unapologetic Photographer Blog 7/7/15

Understanding must move with the flow of the process, must join it and flow with it.” — Frank Herbert, Dune

Which of my photographs is my favorite? The one I’m going to take tomorrow.” — Imogen Cunningham

Links

– Black and white layer in Photoshop
– Three brief articles from George Lepp
The focus stacking one is helpful, but you might wish to skip the video and cart articles. He solved for me the focus or move focus-stacking question.
– How to approach wildlife
– Really, really good stories and life lessons of a photographer 6 minute video that I highly recommend.
– Adding color with Photo filters in PS
– Hi- and Low-key lighting for portraits
– Make your own golden hour light
– 21 tips for sharper photos
– Street photography with a twist

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