Processing Negative Reviews
“Some people love what you do. …
So, how to understand it when someone hates what you do? …
It’s not for them. They want something you don’t offer. …
Some of these things you can address by telling a story more clearly, some you can’t.
Either way, right now, they’re telling you one thing: It’s not for them.
Okay, thanks for letting us know.” — Posted by Seth Godin on October 19, 2017
“There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it.” — Robert Adams
“Making photographs has to be, then, a personal matter; when it is not, the results are not persuasive.” — Robert Adams, in Beauty in Photography
“In large measure becoming an artist consists of learning to accept yourself, which makes your work personal, and in following your own voice, which makes your work distinctive.” — David Bayles and Ted Orland in Art & Fear
“I have reached the point where the craft is sufficient to the purpose, or at least attainable, but the purpose to which I will apply that craft is proving more elusive.” — Richard Eskin
“Photography can light up darkness and expose ignorance.” – Lewis Hine
“‘You’re doing it wrong’
But at least you’re doing it.
Once you’re doing it, you have a chance to do it better.
Waiting for perfect means not starting.” — Posted by Seth Godin on October 02, 2017
“I am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don’t find it, invent it!” – Pete Turner
“You know, I really don’t think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.” – Garry Winogrand
There is a difference of opinion on the two images below. Both were taken at Lake Roland Park with a yellow filter on a 105/2.8 lens. The first may have a greater sense of depth because of the sharp fence, but the out of focus dam in the background creates some room for interpretation. The second has more interesting lighting and perhaps better balance and composition. Which do you prefer and why?
“I was not part of the plot. I was on the outside looking in. A mere spectator peeking through the insulating and protective window of a lens.” – Chuck Kimmerle, The Unapologetic Photographer Blog 7/7/15
“Understanding must move with the flow of the process, must join it and flow with it.” — Frank Herbert, Dune
“Which of my photographs is my favorite? The one I’m going to take tomorrow.” — Imogen Cunningham