Monday Missive — October 15, 2018

Quotes

The conversations are exasperated, the verdicts swift, conclusive and seemingly absolute. The goal is to protect and condemn work, not for its quality, per se, but for its values. Is this art or artist, this character, this joke bad for women, gays, trans people, nonwhites? Are the casts diverse enough? Is this museum show inclusive of enough different kinds of artists? Does the race of the curators correspond with the subject of the show or collection? Increasingly, these questions stand in for a discussion of the art itself.” — Wesley Morris, in an article titled The Morality Wars in the NY Times Magazine, Oct. 3, 2018

But criticism isn’t about saying what’s bad — well, not only. It’s partly about situating a work in the world, in your feelings, in your collection.” — Wesley Morris, ibid.

There are as many photographs possible from a single negative as the artist can imagine. I can never bear to finish with a negative, to say, ‘This is it.’ Tomorrow I can come and make new pictures from that negative. This is the thing I love most of all: the making of the final picture. No one else can do that for me, nor do I ever completely satisfy myself.” – Nell Dorr

Links

– Extreme, extreme photography
– Milky Way panorama
– Is your agent really your agent?
– Seven important landscape lessons Acquired wisdom
– Fine art still life, setup and lighting
– Street photography with a twist
– Underwater macro: incredible colors and shapes: animals that look like they come from another planet
– Underwater in the the Inside Passage
– Joel Meyerowitz

From Steve Oney:
– Street shooter in NY
– 10 photographers who immortalized city streets

Dew drop in in the morning.

September 3, 2018

Quotes

Your photography is a record of your living, for anyone who really sees.” — Paul Strand

Results are uncertain even among the more experienced photographers.Matthew Brady

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.Ernst Haas

Links

– More than snaphots and postcards
– Foregrounds in focus
– Paul Roark His work is very good (the best BW photographer you never heard of) and worth a visit to his website as well.
– Avoid distracting backgrounds in street photography
– Landscapes
– Getting great maternity images
– Soulful pictures of sanctuary animals
– Hidden wetlands
– Saul Leiter’s pioneering color work

Sally Mann
– Interview with curator of Sally Mann’s Thousand Crossings exhibit The exhibit at the National Gallery closed May 28, 2018.
– A list of NGA holdings of Sally Mann including 16 images from Thousand Crossings and a short video of her photographing dancer Bill T. Jones

From Steve Oney:
– 6 ways to remove distractions in Photoshop
– Astrophotography tourism for those who were inspired by Robert Fawcett’s presentation last week.

Boat lineup at the dock, Prince Edward Island, Canada

Cabot Beach Provincial Park, Prince Edward Island, Canada

Monday Missive — April 16, 2018

Quotes

The photographer is like the cod which produces a million eggs in order that one may reach maturity.” — George Bernard Shaw

Flow happens when our vision demands the fullness of our craft and pulls us into a state of extreme and almost unconscious focus.” – David duChemin

The minute there’s a map, there is no art. Paint by numbers is not art. Paint by numbers is a mechanical activity.” — Seth Godin

Links

– Story on using the Leica Monochrome which shoots only BW Since I found out about this camera, I thought it would be neat to shoot with it (it costs $7500 so ain’t gonna happen), but after reading this, it is easier to put the dream aside.
– Planning ahead for photography in every season
– Recent copyright issues and fair use
– Self-portraits
– Landscape abstracts
– Outrage powered photography
– BW for landscapes
– How to photograph the Milky Way
– Are your ideas copyrightable?
From Steve Oney:
– Finding unique landscape locations

Sunday Farmers’ Market at the foot of the JFX. Love them carbs.


Monday Missive – May 15, 2017

Quotes

Dreams and photographs have something in common… ” — Minor White cited in “Manifestations of the Spirit”

Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest – a distant horizon, a moment of light, a held expression.” – Sam Abell

The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can’t be photographed. You just have to keep doing it.” – Eliot Porter

Links

– Lepp: Accessories for nature photographers
– Shooting the Milky Way This article provides explanations I haven’t seen before.
– Noise
– The meaning of color
– Iceland Part 2
– Creativity
– Match color when compositing
– Adjusting colors in landscapes In the first part it shows how to do color selection using the saturation panel
– Taking total control of a high contrast, high dynamic range image
– Taking multiple exposures for compositing
– Using a telephoto for landscapes No surprise to me, I more often use a telephoto for landscapes than a wide angle.

Iris bud. Taken in my front garden.