“. . . creativity is about doing the work rather than waiting for inspiration or talent to kick in.” — David duChemin
“inspiration is for amateurs, the rest of us show up and get to work.” — Chuck Close
“Do you want to be more creative? You’ve got to be willing to fail and start ugly, sometimes really ugly, and figure it out–refine it–as you go. . . . You need to be relentlessly you, to choose courage and persistence, to embrace your constraints and do something astonishing with them, to let those first efforts be ugly on their way to being beautiful. The only way to be more creative is to create more. We can all do that.” — David duChemin
Choat Mine and Red Run Trail at Soldier’s Delight Natural Environmental Area
The main entrance to Soldiers’s Delight is at 5100 Deer Park Rd, Owings Mills, MD 21117 (restrooms are available at the visitor’s center). About .3 miles north on Deer Park Road, on the left, is an overlook and pull off where you can park. The trailhead for the Choate Mine Tail is across the street and about 50 feet south. This is definitely not a runners’ trail as sections have loose rocks and I would recommned against walking it in sandals. The natural area is largely a serpentine barren with open fields; 39 rare, threatened or endangered plant species have been found there. Photographically it wasn’t particularly interesting at this time of year. There were clumps of small flowers and the occasional butterfly. The old mine openings are fenced and flooded and obvious on the right side of the trail several hundred yards in. Prickly briar plants edge the trail until you get into the forest a bit further on. The forest areas have little understory. About one third mile in, the Choate Mine Train connects with the Red Run Trail just at the back of some apartments and the trail heads up hill in open forest; trail maps are available online. The serpentine barrens can be interesting if you are into the rare plants, but participating in a guided tour with a ranger/naturalist is definitely recommended initially.
“The conversations are exasperated, the verdicts swift, conclusive and seemingly absolute. The goal is to protect and condemn work, not for its quality, per se, but for its values. Is this art or artist, this character, this joke bad for women, gays, trans people, nonwhites? Are the casts diverse enough? Is this museum show inclusive of enough different kinds of artists? Does the race of the curators correspond with the subject of the show or collection? Increasingly, these questions stand in for a discussion of the art itself.” — Wesley Morris, in an article titled The Morality Wars in the NY Times Magazine, Oct. 3, 2018
“But criticism isn’t about saying what’s bad — well, not only. It’s partly about situating a work in the world, in your feelings, in your collection.” — Wesley Morris, ibid.
“There are as many photographs possible from a single negative as the artist can imagine. I can never bear to finish with a negative, to say, ‘This is it.’ Tomorrow I can come and make new pictures from that negative. This is the thing I love most of all: the making of the final picture. No one else can do that for me, nor do I ever completely satisfy myself.” – Nell Dorr
“Dreams and photographs have something in common… ” — Minor White cited in “Manifestations of the Spirit”
“Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest – a distant horizon, a moment of light, a held expression.” – Sam Abell
“The more you look around at things, the more you see. The more you photograph, the more you realize what can be photographed and what can’t be photographed. You just have to keep doing it.” – Eliot Porter