Monday Missive — September 14, 2020

Quotes

The trick now (as it has undoubtedly always been) is in knowing, specifically, what it is that you want to say with your photograph and then being able to employ the appropriate techniques, in the appropriate circumstances and in the appropriate amounts, all in a manner sufficient to convey (while not detracting from) the aesthetic message you are attempting to communicate. That means that you really do need to know precisely what it is that you are trying to say through your photograph.” — Huntington Weatherill

The weakest version of the real you, is stronger than the best imitation of someone else.” — Joanna Davidson Politano

Our photographs look the way they look because of how we see and what we are drawn to.” — David duChemin

Links
Photoessays/Bodies of Work
– Bugs
– Myth of a woman Good images, but also an interesting story

Post-Processing
– Sharpening
– Huntington Weatherill on the necessity of image manipulation His work is always superb.
– Removing wires

Field/Studio
– Backyard bird photo studio
– Clouds

Miscellany
– Juxtaposition
– Creativity
– 10 street photographers every photographer should know

Monday Missive — July 13, 2020

Quotes

“They were faded and worn, but the images were alive with a fragile beauty of expression and gesture.” — Soomin Ham

“Photography becomes a prayer.” — Karen Bullock

What have I done wrong?” he said later.” Nothing, I think. I am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don’t find it, invent it!” –- Pete Turner

Links
Photoessays/Bodies of Work
– Paul Lukin
– Nikita Payusov: Coney Island

Post-processing
– Stacked focus for landscape shots
– Everything you want to know about the new Adobe Camera Raw This is the first of a 4 part series that goes into great detail, even on things that aren’t new. It is worth the time to understand everything you can do in ACR. Most of it also applies to LR. The remaining 3 parts of the series are listed below the main window.
– Resolution, resizing and resampling Courtesy Steve O.
– Beginner’s guide to sharpening in PS
– Adjusting color and tone in the new ACR

Miscellany
– How to identify your best images
– Sebatiao Selgado
– Developing your voice as a photographer

Needham’s Skimmer, male, Black Marsh Trail.

From my book “Winter Marsh” that is approaching completion.

Monday Missive — July 6, 2020

Quotes

Photography is a window to place, time and memory.” — Soomin Ham

If you want more creative photographs, you need to learn to think more creatively: not different gear, but different thoughts.” — David duChemin

The decisive moment is a great concept, but we don’t experience the world that way. Life is a montage of occurrences that comes together over time. By spending several hours shooting a scene and merging elements from each into a single frame, I create, in some way, a truer depiction of that space because I’m not capturing an outlier moment.” — Sean J. Sprague

Links
Photoessays/Bodies of Work
– Seeing double
– Very well done ongoing photoessay of a young woman with Down’s

Post-processing
– Editing a composite
– Select and mask crash course
– A quick way to remove numerous dust spots
– 10 hidden tools in the new Camera Raw

Field/Studio
– Making more meaningful portraits by connecting with your subject
– How to safely update PS and correct things that seem to be missing

Miscellany
– Henri Cartier-Bresson

Day lily in morning light. It was the light at the base of the blossom that captured my eye.
f/45 with 105 macro lens.

Winter Marsh. From a new body of work that I am working into a book.

Monday Missive — June 3, 2019

Quotes

You are your own first and most important audience. That’s how you please your audience. By making your art for you.” — David DuChemin

‘“[He] encouraged me to let myself go, not hold anything back, try everything,” she recalled‘ — Helen Frankenthaler in praise of Paul Feely her mentor to Julia Brown, Guggenheim curator

Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest – a distant horizon, a moment of light, a held expression.” – Sam Abell

Links

Photoessays/Bodies of Work
– Street photography from 1838-2019 20 minute video slide show. Very international, with one image per year.
– Volcano
– Life in rural Mexico: A love story
– Fascinating flower portraits
– From a graveyard to community conversation This is a very enlightening and interesting story of a Georgia community “Re-seeing” itself. Excerpt: “By installing my portrait banners in a community’s built environment, I have a chance to symbolically disrupt the power structure – the hierarchy of public visibility – that has come to define that community.

Post-processing
– Retouching a portrait in LR He shows some presets in LR that I didn’t know were there using”Teeth Whitening” as an example. The presets are not in Camera Raw, but you can still get the same results manually.
– Making smooth selections Also explains the “Minimum” filter which can be really helpful.

Field/Studio
– Macro photography with a white background This is the “Meet Your Neighbors” program about getting to know the critters in your neighborhood. It also produces some neat images.

Miscellany
– Fake Nikon batteries
– Future of photography This is not a technical analysis, more theoretical and from the “art” side.

Was in Pittsburgh this weekend with the Baltimore Camera Club. The city has a very interesting history.

These chimneys were from the steel furnaces used to heat huge billets of steel before they were modified.

There are two functioning “inclines” that carry people down the steep cliffs to the riverside. The two cars were going in opposite directions as they passed each other.

There is a really nice park called “The Point State Park” on a spit of land projecting into the river. You can see an incline in the background. People run, bike, skateboard and scooter along the river.

Monday Missive — November 12, 2018

Quotes

Pilgrim leaves crowd the air with their falling every October. The journey is always the same.” — Linda Pastan

The ritual sadness of the season is more voluptuous than joy.” — Linda Pastan

Art is, or ought to be, a reliable refuge for idiosyncrasy in a society that increasingly views the idiosyncratic with suspicion.” — Colin Dabkowski

Links

– Auto functions in PS that quickly and easily get your post processing started
– Select subject With the use of AI, this has become a really helpful tool.
– Wildfife photographer of the year winners
– Update on copyright issues
– Improving fall color
– Should landscape photographers explore?
– Blend long and short exposures to make the best long exposure images
– Examples of Noir photography
– Removing fringes from a tree after a sky swap
– 50 images of gritty NY in the 1970s

Stigma and anthers of Asian Lily.

From an exercise with friends.