“Flow is a state of being that is possible when the challenge of what we do and the skill level with which we do it are high and equal to each other.” — David duChemin
“Of course, there will always be those who look only at technique, who ask “how,” while others of a more curious nature will ask “why.” Personally, I have always preferred inspiration to information.” — Man Ray
“Photography for me is an exciting and personal way of reacting to and commenting on one’s environment and I feel that it is perhaps a great pity that more people don’t consider it as a medium of self-expression instead of selling themselves to the commercial world of journalism and advertising.” — Tony Ray-Jones
Photoessays/Bodies of Work
– Conversations with dad
– The new color grading panel in LR and ACR David Duchemin does a real good job on the basics. This is a download link for a 10 minute video. My October 26 blog had more on this with a more detailed explanation by Blake Rudis. Color grading is common for video and this new panel provides increased flexibility.
– Using luminance in the color grading panel to increase/adjust tonal values
– Landscape photography with film
– Composition: Cartier-Bresson, Ribaud and Mad Men
– Manual focus techniques
– Video recordings of 26 B & H Optic presentation Optic is an annual seminar series. Some of the more famous names this year include Frans Lanting, Keith Carter, Sam Abell, Art Wolfe and Brooks Jensen. Something for everyone. If you have time for only one, watch Keith Carter.
Tomorrow is the last class for Maine Media’s Text & Image class taught by Sal Taylor Kydd. I took this course because I wanted to combine writing with my images more effectively. The two covers below will be for my third and fourth books. I have found that books, rather than gallery exhibits, are more consistent with the way I want to work. They provide a way to share my work at any time with friends and family, and over time they provide a diary of how my photographic inclinations have changed. Getting a small number of copies printed is probably no more expensive than preparing 10-15 images for exhibit and the product is available until you sell them or give them all away. I may end up back at Blurb to publish these books, but the class also provided other options to explore over the next weeks. Although hopefully things will improve quickly this spring with the availability of effective vaccines, currently people are more likely to stay home and read a book than risk attending a gallery opening. One can hope, that the book reading may even continue for the long term even as other things improve.
Cover of “Winter Marsh.”
Cover of “Rising Atlantic.”