“The capacity for delight is the gift of paying attention.” — Julia Margaret Cameron
“I do not document anything, I give an interpretation.” – Andre Kertesz
“What matters is not what you photograph, but why and how you photograph it. Even the most controversial subject, if depicted by a sensitive photographer with honesty, sympathy, and understanding, can be transformed into an emotionally rewarding experience.” – Andreas Feininger
The goddess contemplates the gold she has lifted from the earth as her counselor makes a point. The counselor is from a Giacometti sculpture, the goddess is Water-Moon Guaynin and the gold post were all from the BMA.
“To be more creative is to get closer to childhood.” — Sarah Moon
“The point of art has never been to make something synonymous with life, however, but to make something of reduced complexity that is nonetheless analogous to life and that can thereby clarify it.” — Robert Adams in Beauty in Photography
“What transforms of into about is interpretation — taking all the tools of craft and visual language and pulling at emotion. Colour does that. Motion does that. Tension and scale do that. The challenge … is matching the tools with the thing we are trying to say.” — David duChemin in The Soul of the Camera
“Criticism’s job is to clarify art’s mystery without destroying it.” — Robert Adams, Beauty in Photography
“An expanding mindfulness of visual language gives me new ways to express myself, even if I am never understood.” — David duChemin, in The Soul of the Camera
“Photography, like writing, is about storytelling. Pens and cameras are merely the tools we use to bring self-expression to life. If you have nothing to say, you images will reflect that. It’s important to build your own narrative through exploration, learning and diverse experiences that enrich your storytelling.” — Claire Rosen, Imaginarium
“We become original through practice.” — Posted by Seth Godin on November 29, 2017
“How lacking in courage is an art in which the creator examines the collective ideal as opposed to the self-centered individualism of his own being.” —Peter C. Bunnell, in Jerry N. Uelsmann, Aperture Monograph,15:4, 1970
“We are making photographs to understand what our lives mean to us.” — Ralph Hattersley
“It doesn’t take a genius to see that competence is no longer about our ability to press certain buttons in a certain sequence. Far more often, competence involves the humanity required to connect with other people, in real time.
It requires emotional labor, not merely compliance.” — Posted by Seth Godin on November 16, 2017
“If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.” —Eve Arnold
“All the technique in the world doesn’t compensate for the inability to notice.” –- Elliott Erwitt
“. . . what we hope for from the artist is help in discovering the significance of a place.” — Robert Adams in Beauty in Photography
“. . . there is an incredible hunger to make and share images. . . . knowing how to use a complicated camera no longer serves as a barrier to creating those images.” — David duChemin in The Soul of the Camera
“I impose the way that I see, the way that I feel, the way that I connect on the landscape.” — Michael Kenna
Processing Negative Reviews
“Some people love what you do. …
So, how to understand it when someone hates what you do? …
It’s not for them. They want something you don’t offer. …
Some of these things you can address by telling a story more clearly, some you can’t.
Either way, right now, they’re telling you one thing: It’s not for them.
Okay, thanks for letting us know.” — Posted by Seth Godin on October 19, 2017
“There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it.” — Robert Adams
“Making photographs has to be, then, a personal matter; when it is not, the results are not persuasive.” — Robert Adams, in Beauty in Photography
“A lot of our thinking is for bonding, not truth-seeking, so most of us are quite willing to think or say anything that will help us be liked by our group.” — David Brooks, Oct. 10, 2017, NY Times Op-Ed “The Art of Thinking Well”
“Like all photographers, I depend on serendipity I pray for what might be referred to as the angel of chance.” — Sally Mann
“I will never reach the end of this journey. I’ll never arrive at a point where others have nothing to teach me.” – David DuChemin
“In large measure becoming an artist consists of learning to accept yourself, which makes your work personal, and in following your own voice, which makes your work distinctive.” — David Bayles and Ted Orland in Art & Fear
“I have reached the point where the craft is sufficient to the purpose, or at least attainable, but the purpose to which I will apply that craft is proving more elusive.” — Richard Eskin
“Photography can light up darkness and expose ignorance.” – Lewis Hine
“‘You’re doing it wrong’
But at least you’re doing it.
Once you’re doing it, you have a chance to do it better.
Waiting for perfect means not starting.” — Posted by Seth Godin on October 02, 2017
“I am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don’t find it, invent it!” – Pete Turner
“You know, I really don’t think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.” – Garry Winogrand
There is a difference of opinion on the two images below. Both were taken at Lake Roland Park with a yellow filter on a 105/2.8 lens. The first may have a greater sense of depth because of the sharp fence, but the out of focus dam in the background creates some room for interpretation. The second has more interesting lighting and perhaps better balance and composition. Which do you prefer and why?
Saturday mornings, starting at around 9 am, car aficionados stop by the Hunt Valley mall to show off their cars and discuss specs. Shot this raised Viper hood. Notice the “forked tongue” on the lower left.