Monday Missive — October 29, 2018

Quotes

The mystery isn’t in the technique, it’s in each of us.” — Harry Callahan, More Joy of Photography by Eastman Kodak (Editor)

Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.” — Salvador Dali

In a photograph a person’s eyes tell much, sometimes they tell all.” — Alfred Eisenstaedt, Eisenstaedt: Remembrances by Bryan Holme, Doris C. O’Neil, Alfred Eisenstaedt, Barbara Baker Burrows

Links

– Working with available light
– Flash
– The Art of Movement
– Frames – new in PS 2019
– Compositing transparent objects This video is noteworthy because of all of the details he addresses for the most realistic image.
– Google Images now displays copyright information
– 5 great nature photographers who love what they do
– Mission Monochrome

From Steve Oney:
– Poverty and mythology in America A very insightful and well-done Magnum photoessay.
-Surrealist Hussam Eissa

Farm in Pennsylvania.

A farm in Pennsylvania.

Staring into space at the 9/11 Memorial. I liked the raised foot and unfocused stare.

Monday Missive — October 22, 2018

Quotes

Art is not about consensus. We need not agree over our reactions or our interpretations. Art that forces itself upon us and has as its chief goal our submission to it is not art, it’s propaganda. … Popular photography culture is wildly culpable of encouraging or desiring our consensus and the only thing that’s going to lead to is homogeny, mediocrity, and a narrowing of thought and experience. We must be challenged and art can do that, but only if we let it. To be challenged we must first listen to it.” — David duChemin

Our job is to record, each in his own way, this world of light and shadow and time that will never come again exactly as it is today.” — Edward Abbey

For me the creation of a photograph is experienced as a heightened emotional response, most akin to poetry and music, each image the culmination of a compelling impulse I cannot deny.” — Ruth Bernhard

Links

– 3 ways to export from Photoshop
– What’s new in PS 2019?
– What’s new in LR?
– More instruction on the content aware fill
– The most complete review of new features in PS 2019
– Fall locations
– How to write about your images
– Sharpen your image by removing motion blur

From Cheryl Atkins:
– Interview with Sally Davies
From Carl Lancaster:
– Nikon Small World competition Even if you aren’t a scientist, some of these images are stunning and all are fascinating.

A bit of street walking:
Lombard St./Bromo Seltzer Tower. I like the dark shaded foreground against the light background and the spots of color from the tail lights and traffic lights in the shade.

These look like fun.

An incongruous juxtaposition.

Monday Missive — October 15, 2018

Quotes

The conversations are exasperated, the verdicts swift, conclusive and seemingly absolute. The goal is to protect and condemn work, not for its quality, per se, but for its values. Is this art or artist, this character, this joke bad for women, gays, trans people, nonwhites? Are the casts diverse enough? Is this museum show inclusive of enough different kinds of artists? Does the race of the curators correspond with the subject of the show or collection? Increasingly, these questions stand in for a discussion of the art itself.” — Wesley Morris, in an article titled The Morality Wars in the NY Times Magazine, Oct. 3, 2018

But criticism isn’t about saying what’s bad — well, not only. It’s partly about situating a work in the world, in your feelings, in your collection.” — Wesley Morris, ibid.

There are as many photographs possible from a single negative as the artist can imagine. I can never bear to finish with a negative, to say, ‘This is it.’ Tomorrow I can come and make new pictures from that negative. This is the thing I love most of all: the making of the final picture. No one else can do that for me, nor do I ever completely satisfy myself.” – Nell Dorr

Links

– Extreme, extreme photography
– Milky Way panorama
– Is your agent really your agent?
– Seven important landscape lessons Acquired wisdom
– Fine art still life, setup and lighting
– Street photography with a twist
– Underwater macro: incredible colors and shapes: animals that look like they come from another planet
– Underwater in the the Inside Passage
– Joel Meyerowitz

From Steve Oney:
– Street shooter in NY
– 10 photographers who immortalized city streets

Dew drop in in the morning.

Monday Missive — October 8, 2018

Quotes

I don’t just look at the thing itself or at the reality itself; I look around the edges for those little askew moments – kind of like what makes up our lives – those slightly awkward, lovely moments.” – Keith Carter

I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.” – Dorothea Lange

Along the way I tried to convey that while nature has power and fury and should always be respected, she can also be funny, elegant and whimsical.” — Photographer Ruth Fremson about a poem by Joy Harjo in How poems inspire pictures

Links

– Luminosity Masking in Photoshop
– Refining your masks
– National Park Odyssey Part 4
– Selling sotck images and footage
– The best Instagram hashtags
– Retain the original color after applying effects that change color or desaturate
– Control your neutral tones to make your image believable
– Colorful images to look for in fall You might find similar images much closer in Shenandoah and West Virginia
– 10 National Parks for fall color

From Steve Oney:
– Color spaces, gamut, calibration Good explanation of these key concepts.
– Fall foliage getaways Includes suggestions for Shenandoah

Titled: “Nike.” Taken on the lightrail. Not sure what attracted me except that it was a different picture from any I have seen.

Monday Missive — October 1, 2018

Quotes

I just don’t like having to ask anyone for anything in terms of finances. I don’t like having to wait for someone to approve where I can get my idea off… Like, if I want to make an album and I want an orchestra, I’m gonna figure out how to do that. I don’t want to wait around for people to greenlight my creativity.” — Fatimah Warner (rapper Noname) From an article in The Fader by Rawiya Kameir

He realized that 25 years does something to a picture: ‘A photograph that was candid or simple at the time all of the sudden has a completely different relevance,’ he said. The time in between gives you more than emotional distance, it refreshes the image. ‘We don’t have to overthink the pictures, we just have to give them time.‘” — Mario Sorrenti in an article about his images of Kate Moss

Your work can struggle to fit in. Or you can do the hard work of having it stand out.” — Seth Godin, September 27, 2018

Links

– Your photographic legacy: What happens to your images when you die?
– Magic wand vs quick selection tools in PS
– When to share photos Another insightful article from Julianne Kost.
– Artistic filters in PS
– Very interesting photo essay from a culture and location that is virtually unexplored
– Creative fall impressions
– More techniques for fall photography
– Reasons not to upgrade to that new mirrorless
– Try different approaches to conventional scenes
– Who shot the Colin Kaepernick image for Nike?
From George Spicer:
– Digital backs for film cameras

Having some photo fun at Comic Con in Baltimore. Everyone is really friendly and willing to have their pictures taken. I don’t recognize all of the characters but this lovely ghoul certainly caught my eye.

These four “sisters” were perfectly willing to pose.

Madam Wolverine was very impressive!