March Final Friday: Open Studio Tours

Station North announced this program centered on Oliver Street in Baltimore, Maryland.  Toured the soon to open Baltimore School of Design, a middle – high  magnet school focused on architecture, fashion and industrial design.  It is going to be a neat place to go to school for creative students.  Great layout that provides tons of pin up space, project team discussion rooms, and opportunities to share ideas, just like some of our best enterprises.  Also had time to tour several studies at 405 Gallery (405 E. Oliver).  Special thanks to Tim Nohe for the time he spent explaining his work in Australia.  There was a lot more to see, but I ran out of time.

I really hope they do it again in the fall.

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Broaden Your Horizons

…what mattered most… is the tension produced… by the surprise of difference…  —  Linda Pastan, in Carnival Evening

Fulton Avenue composite street scene.

Fulton Avenue composite.

Although I am most comfortable photographing natural scenes, I live in an urban environment. After about 10 years of commuting to work down Fulton Ave. and up Monroe Street, I finally realized that that there was a lot that was photographically interesting on those streets and in those communities that I passed each day, but basically ignored.  Much of it is blighted urban community, but there are areas that remain healthy and vital with people interacting on front steps, street vendors with crushed ice in the summer, and clean streets.

 

Composite image of burned church

Composite image of burned church

This developing body of work, tentatively title “Fulton-Monroe,” is an attempt to broaden my photographic horizons, test my creativity and document something that was part of my life for about 10 years.

I am not a “street shooter” in that I am still uncomfortable going up to people and asking them if I can take their picture (something I should remedy), so these are really all urban landscapes, illustrating the nature of the community or neighborhood by implication, but missing the important human component.

Plants in windows composite.

Composite image; large weed growing out of a broken window vs well-kept window box.

Since this is outside my usual work I would especially appreciate comments on this blog.

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Back up day

…the most instructive consideration…is the cost of doing nothing. – Thomas Henry Huxley

When was the last time you backed up your key photos and new work?

AntelopeCanyonOverlook026 AntelopeCanyonOverlook047

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Gallery Opening

For me, the real learning has come from working and looking at other people’s work. — Steve McCurry, June 2004 in Kodak newsletter.

On Saturday, I attended a gallery opening for James Dusel, Echoes of Rome, at the Full Circle Gallery. Mr. Dusel’s presented works were silver gelatin or paladiotype prints of architectural images from Italy, but other places as well, including Baltimore.  They were all excellent images, although not generally in my area of interest.  However, attending gallery openings is critical to see others’ work, meet the local community, and provide opportunities to network with gallery owners and managers.  In addition to enjoying the artwork, conversation with other artists and photographers, I now have an opportunity to follow up with the gallery manager with my own work.  A truly excellent afternoon, even if I couldn’t afford a purchase.

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Kamiwaza

Most mornings I read Seth Godin’s blog.  Godin is a marketing guru who frequently focuses on issues relating to art and creativity, but I also see him as a
philosopher.  He usually writes something worth thinking about.  This morning he talked, briefly, about “losing” because of self-doubt and self censoring.   Godin used the word “kamiwaza,” which I had not previously come across.  So I googled it, and found a conversation between Seth and John Wall on the Ronin Marketeer that discussed Godin’s book the Icarus Deception, and not only defined kamiwaza, but provided good advice to any artist on how to take a chance, be brave, and really put yourself out there. Since hesitancy to put myself “out there” is one of my problems, I thought others may also hang back, and I should share Godin’s insights.  An excerpt from the interview is below.  You can read the full interview at Ronin Marketeer.

Seth Godin:
We’re afraid to stand up because we’re afraid that someone’s going to say, “How dare you? What right do you have? What hubris for you to stand up and say you know anything?”

To be open means being vulnerable to feedback. Vulnerability ignites the enemy of arts and creativity, which is shame. Everyone carries some shame around. We don’t want it activated. We don’t want to be called out for flying too close to the sun. So it’s easier to just hunker down and wait for things to get back to normal.

The stories of the gods are stories of what we could do and what we could become. The Japanese have a term for this, which is “kamiwaza.” “Kamiwaza” means god-like, with no wasted motion, with confidence, and yes, with hubris. And so, when we see a cheetah running through the jungle, we see kamiwaza, because the cheetah could not run any better, any more fluidly, any more perfectly. But when human beings set out to do it, we check ourselves. We hold ourselves back. We imagine that a platform is for other people, not for us, because we haven’t been picked. It turns out that in this new fluid economy, waiting isn’t going to be a particularly productive plan. [end quote]

To take this to heart, some of my recent creative attempts are included.

Badlands in Petrified Forest National Park from the Nizhoni Point overlook

Badlands in Petrified Forest National Park from the Nizhoni Point overlook. Filtered with “find edges”.

Badlands taken from Blue Mesa overlook in Petrified Forest National Park

Badlands taken from Blue Mesa overlook in Petrified Forest National Park and modified with finding edges filter.

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Check Out the Maryland Green Ball at Sustainafest.org

“Through the magic of art and entertainment, SustainaFest opens your eyes, touches your heart and expands your mind, forever changing your perspective on crucial social, economic and environmental issues and your place in this world.”

SustainaFest leverages the power of art and entertainment to spark dialogue and action on the most pressing social, environmental, and economic issues of our time.

Be inspired. Take action.

The Green Ball on March 15, from 7 – 11 PM at Governor Calvert House, 58 State Circle in Annapolis is a fund raiser for SustainaFest.  Come and have a good time, participate and help this worthy endeavor more forward.  See http://www.sustainafest.org/page1/page1.html for ticket info.

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Swamped with Spam, I may not have answered

If you wrote or commented on my blog and didn’t receive a response, I apologize.  I was swamped with spam, sometimes over 3000 in a week, so I just deleted it.  I now have help from Akismet which should filter out the spam but let the comments get through.

If you respond or comment and still don’t get through, I urge you to email me and I will try to get you “unspamed” and will respond to your comment on the blog.  There is an email link on my home page at www.richeskinphoto.com .

I am really sorry for the inconvenience or apparent lack of responsiveness.

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Trip Stats

Sites and cities visited:

  • Arizona: Petrified Forest National Park (Holbrook), Canyon de Chelly National Monument (Chinle), Hubbell Trading Post National Historic Site
  • Colorado: Rocky Mountain (Estes Park) and Mesa Verde National Parks (Cortez)
  • Nebraska: Homestead National Monument (Beatrice)
  • New Mexico: Albuquerque, Santa Fe
  • Utah: Arches National Park, Sorrel River Ranch (Moab)

Miles Traveled:  8,145
Average Mileage:  26 mpg in 2003 Subaru
Average Cost per Mile:  $0.14 for fuel
Total Cost:  $4,318 (August 8 – Oct. 24)

Lodging was free during the artist residencies at Rocky Mtn (2 weeks), Petrified Forest (2 weeks), Sorrel River Ranch (1 week), Homestead (19 days)

Best photography:  Petrified Forest
Most interesting experiences: Tundra (Alpine Visitor’s Center, RMNP), Geogia O’Keefe Museum (Santa Fe)
Best Meal:  Twin Owls, (Estes Park; anniversary dinner)

Final thoughts:  It was a great experience.  However, I probably would not do three residencies in a row, with some time between them, again.  I was away from home too long.  Definitely planning on applying to other residencies and would like to return to the west in the next few years and return to some sites to photograph them again after I have assimilated this experience.

 

 

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Home

Everything has beauty, but not everyone sees it. – Confucious

I did some more work on fall “foliage” using the Meet Your Neighbors approach before I left. As part of my final presentation, I put up these three “quadtychs” at a volunteers meeting and let the volunteers vote on which ones they liked best. Everyone had three votes by putting sticky dots on the images they liked best. It could be three votes for one image, two and one, or one each.

The sunflower on the top left of the first image got by far the most votes with 33 out of 131 votes (25%). The Illinois bundleflower on the lower right of the second image, got the second place with 18 votes (14%). The big bluestem on the lower left of the last image came in third with 16 votes (12%). Runner up was the heath aster, upper right on the 3rd image.

Photographically I have been a little slow getting back up to speed once I returned home. Driving 21 hours in 2 days, catching up on mail and stuff, and just taking some time off to read science fiction and think about the last two and half months. Just ready to get going again, and we get hit by Sandy. Lost power at 8:50 pm on Monday, and still no power. Still spending time at the library. I like libraries, but I hoped to work from home when I got home. Things will settle soon. Hope you had a Happy Halloween!

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Homestead Project 2

The beauty of the natural world lies in the details… – Natalie Angier,

The acrylic sheet for the Meet Your Neighbours protocol has arrived. Thanks to Rob and Travis for setting me up with a support for the back flash and the plastic, and to Jesse for getting them in the loop. I am all set up in a multi-purpose room that is just perfect for what I need. Much easier to work indoors. This is not consistent with the meet your neighbours protocol, which calls for minimal disturbance – but these plants are past their flowering and seeding stage, and there is a specific educational component with the Monument, so it seems worthwhile bending the rules in this case. The chief ranger liked this image.  It is a concept image for my deliverable for the residency. It shows three prairie flowers against a background of the prairie.

 

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Homestead Project

Our attachment to the land was our attachment to each other. – Terry Tempest Williams

As of yesterday, I have two weeks remaining at Homestead to prepare my second “public interaction” for Sunday, October 21. In Petrified Forest or the Rocky Mountains almost anywhere you look, there is a great photo opportunity. The least you can get out of those residencies is a “pretty picture” even if it doesn’t carry deeper representational or artistic meaning. Although I submitted a reasonably coherent project plan, turning that into an actual project deliverable, with some artistic and/or representational merit is proving more difficult. After thinking about it for several days, and writing about a third of the powerpoint I will use for my second presentation, I have decided to work on two projects to assure some level of success on one. The first focuses on the Palmer-Epard cabin near the Heritage center, and combining an exterior view, with a panorama of the entire interior of the cabin. I am not really sure how to make it “work,” but have plenty of time to play.

The second project will be based on the “Meet Your Neighbours” website that I mentioned in an earlier blog ( www.meetyourneighbours.org ). I have already ordered the white plastic and will take pictures of of prairie plants in their fall decline and use a diptych or triptych as my submission. The background white plastic should be here about mid-week, in the meantime I will take regular closeups and identify which plants I want to work with.

 

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Getting published

Make a plan.
Whether you’re engaged in your creative life professionally or simply as a vehicle for personal growth, I recommend you make a creative plan. If you do this, you too will find both your productivity and fulfillment will increase, in a way that’s meaningful to you. Having defined what you need to accomplish, your unconscious will go to the work of fulfilling it, generating many ideas over time. — John Paul Caponigro

I certainly cannot claim to be an expert on this subject, but do have a little experience, and I am near the baseline. I got an email from Vickie asking for help on getting published and trying to get paid for her photography. Rather than saying “I’m no expert” I provided what insight I could, according to my own experience. I hope others find it useful as well.  This is what I told her:

Vicki –

There are many ways and places to publish your photographs depending on your interests, the type of photography you do, and how hard you want to work. Many people use Flickr, and some magazines and art directors look there when they need images. But Flickr is huge, and the chance that you will catch that kind of attention is relatively small.

You can also establish your own website and/or blog. I use InMotion hosting for both. I think it costs about $85 per year; you can download both gallery and blog (WordPress) applications. I also have an account at www.pbase.com which is even less expensive, somewhere around $28 per year. If you want to get serious about selling your work, you should establish your own presence on the web. That said, I should note that I have never sold directly from my web site, but it serves as a photo resume and portfolio for people who might be commercially interested in my work.

Most of my sales have come from small art fairs and to friends or co-workers. ZAPPlication.com has many listings for art shows and fairs across the country and links to the sites of these art fairs for details and applications. I think that CaFe is another similar listing. Jury fees are usually $25-30, but booth fees range from about $35 – $450. I print and mount my own work to save money and remain competitive, and to get exactly the results I want. I also do cards, but it is hard to make much money as cards usually sell for less than $5. Artist’s coops are another opportunity if there is one in your area. Usually there is some contribution to start, they take a portion of proceeds, and you need to gallery sit. You can also call private galleries and arrange for a portfolio review to see if they are interested in your work. Some wineries also host artwork.  Art fairs are also a possibility where you have the greatest control.  Although most are juried, if your work is reasonably professional, you will be accepted.  If not, perhaps you need to re-think.

Depending on your interests you can also submit to various publications directly. If you like to photograph images of fall colors for example, calendars may be a good opportunity. If you live in a small town, you might speak to your local newspaper publisher about travel or lifestyle photography.

Alyson B. Stanfield offers a free artist newsletter that focuses on Art Marketing; you might consider signing up. I hope you find these suggestions helpful. Good Luck!

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Watching Marketing – Washington Post Photo Credit, Aspens, Introduction to Homestead and Beatrice

The beauty of the natural world lies in the details…
— Natalie Angier

Last week, the Washington Post did a travel article “In the Southwest, year-round fall colors” by Andrea Sachs. It compares the colors in the Southwest to the temporary colors of fall in the east. I happened to be a Petrified Forest at the right time as artist in residence, and spoke to the reporter (near the end of the article). The splash image is mine, and it links to gallery with about a dozen of my pictures. The link is below:

http://www.washingtonpost.com/lifestyle/travel/in-the-southwest-year-round-fall-colors/2012/09/27/c8431cc0-040c-11e2-9b24-ff730c7f6312_story.html

Crossed Colorado as the aspens were going golden. Got to Homestead in Beatrice, NE two days early (10/2). This extra time gave me time to rest up from the drive, send out pictures from the wine dinner at Sorrel River Ranch and get my head together. Apparently some interns stayed a bit longer in the residence at the Park, so I get to stay in private cottage with all of the comforts of home: TV, washer and dryer, etc., except for no wifi. Got access at the Education Center at the Monument today, that is about a mile away, otherwise, I need to use the library as I did today, but that is about 5 miles away. Folks in town and at the monument are real nice. The monument seems to have a good relationship with the town, and on Thursday, I will help with a water quality lesson with fifth graders and there is a prairie seed collection and Art in the Park on Saturday, so I will be keeping busy.

The photography opportunities are much less obvious than at Rocky Mountains or Petrified Forest, so I will need to work a lot harder at being creative. I will start with some of the old cabins and farm equipment at the Monument and possibly do a collage like I have started at Rocky Mountains.

 

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Sorrel River Ranch

I believe the world is incomprehensibly beautiful—an endless prospect of magic and wonder. — Ansel Adams

The sunset photo tour on Tuesday was great – great light and opportunities.  May go out again tonight.A photo hike is scheduled for tomorrow.

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Back at Moab

In my heart I will be an explorer naturalist until I die. — Edward O. Wilson, Naturalist

I am back in Moab, at the Sorrel River Ranch, a luxury destination, about 17 miles outside of Moab.  I will be teaching classes and accompanying tours to Arches and hikes to a local canyon (Fisher’s Tower) to talk about photography.  A “Meet the Artist” session yesterday went fine; people seemed engaged.  There was a small group of guests, but it seemed more intimate and friendly than the average gallery opening.

In addition to Arches National Park, the Ranch is right on the Colorado River, so there are about 17 miles of red rock cliffs and several recreational areas with camp sites in the area.  I went to Fisher’s Tower this morning, and although it was overcast, I caught a break in the clouds just after sunrise.  On Friday, there will be a photo hike to the same area.

I hope that there is a good signup for the classes later in the week.  This residency is an experiment for both myself and the Ranch and we will have to see how it goes as the week proceeds.

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