Monday Missive — July 27, 2020

Quotes

Seeing things pleasing to the eye is more and more about experiencing them and less about capturing a trophy of the moment. And in more and more moments, I sense through the camera a parting of some veil only to see beyond it yet another one. This is where I think the fog mimics the greater truth that each moment of clarity is nothing but a smiling invitation to a shrouding mist just beyond. Come forward it says, and with that encouragement, I do.” — Paul Van Slambrouck

“Once the experience occurs there is no longer a painting or a photograph, or a poem, there is only the experience. Is there any other way to reach the meaning of a T. S. Eliot, or a Dylan Thomas, or a Bach, or an Alfred Stieglitz?” — Carl Chiarenza (Aperture Vol 6. No.2 1958) From aransomephoto.com.

Links
Photoessays/Bodies of Work
– Black Resistance/Vivid Symbolism
– Incredible wave photography
– Toward a vanishing horizon
– Channeling Eggleston But better in my opinion.

Post-processing
– Paint with light in PS
– Color grading with the diamond gradient
– Which file types to use for which uses
– Instantly removing color artifacts

Field/Studio
– Sean Tucker: Minimalist Street Photography
– How to plan (or not) your photo shoot

Great Blue Heron framed by purple loosestrife, Lake Redman boardwalk. Purple loosestrife is an invasive plant that degrades wetland habitat values.

Semi-abstract look back: Needlerush Beach, Deweese Is., SC; 2017

Monday Missive — July 20, 2020

Quotes

Magritte was an artist who worked in ideas, not in craft.” – Seth Godin 11/17/14

[Photography is] very related to poetry. It’s suggestive and fragmentary and unsatisfying in a lot of ways. It’s as much about what you leave out as what you put in.” — Alec Soth

There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.” – Berenice Abbott

Links
Photoessays/Bodies of Work
– Soomin Sam: Portraits, windows, once upon a time
– Michael Darough. An interesting approach to exploring racial justice
– Karen Bullock: Presence Obscured Difficult topic done well.
– Tom Leighton: Tokyo

Post-processing
– PS masking tips
– Simple composition tips for Lightroom
– Fix my image

Field/Studio
– Sean Tucker: Minimalist Street Photography

Miscellany
– How durable is your camera sensor
– The bird box diary: Some quiet self-reflection on landscape and wildlife photography

Blue dasher dragonfly, male. Black Marsh Trail.

Coneflowers.

Monday Missive — July 13, 2020

Quotes

“They were faded and worn, but the images were alive with a fragile beauty of expression and gesture.” — Soomin Ham

“Photography becomes a prayer.” — Karen Bullock

What have I done wrong?” he said later.” Nothing, I think. I am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don’t find it, invent it!” –- Pete Turner

Links
Photoessays/Bodies of Work
– Paul Lukin
– Nikita Payusov: Coney Island

Post-processing
– Stacked focus for landscape shots
– Everything you want to know about the new Adobe Camera Raw This is the first of a 4 part series that goes into great detail, even on things that aren’t new. It is worth the time to understand everything you can do in ACR. Most of it also applies to LR. The remaining 3 parts of the series are listed below the main window.
– Resolution, resizing and resampling Courtesy Steve O.
– Beginner’s guide to sharpening in PS
– Adjusting color and tone in the new ACR

Miscellany
– How to identify your best images
– Sebatiao Selgado
– Developing your voice as a photographer

Needham’s Skimmer, male, Black Marsh Trail.

From my book “Winter Marsh” that is approaching completion.

Monday Missive — July 6, 2020

Quotes

Photography is a window to place, time and memory.” — Soomin Ham

If you want more creative photographs, you need to learn to think more creatively: not different gear, but different thoughts.” — David duChemin

The decisive moment is a great concept, but we don’t experience the world that way. Life is a montage of occurrences that comes together over time. By spending several hours shooting a scene and merging elements from each into a single frame, I create, in some way, a truer depiction of that space because I’m not capturing an outlier moment.” — Sean J. Sprague

Links
Photoessays/Bodies of Work
– Seeing double
– Very well done ongoing photoessay of a young woman with Down’s

Post-processing
– Editing a composite
– Select and mask crash course
– A quick way to remove numerous dust spots
– 10 hidden tools in the new Camera Raw

Field/Studio
– Making more meaningful portraits by connecting with your subject
– How to safely update PS and correct things that seem to be missing

Miscellany
– Henri Cartier-Bresson

Day lily in morning light. It was the light at the base of the blossom that captured my eye.
f/45 with 105 macro lens.

Winter Marsh. From a new body of work that I am working into a book.