It has been liberating to allow myself to make work that is “really bad” without judging myself for it and without abandoning the journey.” — Claire Rosen in Imaginarium
Successful art rediscovers Beauty for us.” — Robert Adams in Beauty in Photography
What’s the best expression of that subject? That is exactly the question we try to answer: a question that can ultimately only be answered by our vision.” — David duChemin in The Soul of the Camera
– William Neill retrospective
– Adding realistic text to an object Uses several techniques including displacment map, bevel and emboss, clipping layers and smart filters/objects to make the text interact with the texture and color of a book cover.
– Adding noise creatively
– Jerry Uelsmann
– Looking at the work of painters can lead to new ways of seeing photographically
– Getting stuff done This is not only applicable to photography
– Assignment 14: Food photography
– Weegee Weegee was a famous photojournalist that is worth knowing about.
– Masking, gradients, collaging Good video at a slow pace to explain how to combine and blend images.
– Easter eggs (hidden options) in Photoshop
Pipe Smoker, Teddy Roosevelt Park, NYC, day after Thanksgiving, 2017
Water towers, NYC, from hotel room.
Experimental: Triple in-camera exposure from a moving train.
Posted in Links and Quotes |
Tagged Art of Photography, Claire Rosen, clipping, Composite, Creativity, displacement map, Easter eggs, hidden options, Jerry Uelsmann, Landscape, noise, photo assignments, Photoshop, Text, Weegee, William Neill |
The supreme quality for leadership is unquestionably integrity. Without it, no real success is possible.” – Dwight D. Eisenhower
If you don’t stand for something you will fall for anything.” – Malcolm X
. . . there are two important … questions to consider: what do I want to say, and how do I make myself understood by the one with whom I’m communicating.” — David duChemin, The Soul of the Camera
– Pro-tip Part 3
– Julianne does color and luminance masking
– Very fast Phlearn demo on compositing and creating a .gif (cinemagraph) file
– 12 favorite east coast locations
– Annie Griffiths, National Geographic: Using your camera for good WOW, very strong story.
– Handmade books
– Caponigro: What printing can do for you
– Eight great photographers of today
– The difference between levels and curves
– 10 favorite western locations
The prow of the John Brown with anchor lines.
Crankshaft in the engine room of the Liberty Ship John Brown, anchored in Baltimore Harbor.
Gun sights and canon from the prow of the John Brown.
The job of the photographer . . . is to be coherent about intuition and hope.” — Robert Adams in Beauty in Photography
“. . .
the best photographs rely more on the fact that the photographer saw something the rest of us overlooked” — David duChemin, in The Soul of the Camera
The more experience you have, the more you can close that gap between what you see and what the camera sees.” — Steve McCurry
– Reflections of Italy David duChemin, one of my favorite photography writers, just completed a workshop in Italy. These are his images from that trip.
– Art of Photography assignment on self-portraits
– Adobe’s version of what updates are included in PS CC 2018
– How is “professional” photographer defined?
– Tips – Get best results consistently, Part 1
– Part 2
– Creative Burnout
– Explanation of the best new tools in PS CC 2018 I found this very helpful on some tools I knew about, but didn’t really understand how to use.
From Steve Oney:
– Blog of blogs Some of the best photo blogs
From George Spicer:
– Game farm photography
From Harry Bosk via Facebook:
– Update on the ‘Bible’ of street photography
Evening in SC
Rabbit in the Trees
“. . .
what we hope for from the artist is help in discovering the significance of a place.” — Robert Adams in Beauty in Photography
. . . there is an incredible hunger to make and share images. . . . knowing how to use a complicated camera no longer serves as a barrier to creating those images.” — David duChemin in The Soul of the Camera
I impose the way that I see, the way that I feel, the way that I connect on the landscape.” — Michael Kenna
It as been a couple of weeks since the upgrades from Adobe for Lightroom and Photoshop, so by now the confusion should be abating, but for those who missed it, here is another decent explanation:
– LR Classic vs CC and a link to the more specific PS upgrades
– A clearer explanation of Lightroom Classic vs Lightroom CC Makes clear that the current version of LR is the last one without a subscription.
– One more time on Adobe updates
– Professional photography with minimal equipment
– Forest photography
– Making the most of mirrorless, a review of advantages and options
– Two great things about LR panoramas
– No excuses! Just Do It!
– The curvature pen tool in the new Photoshop
From Steve Oney
– New and better sharpening in PS 2018
Walking horses out to pasture in the morning at a horse farm in Catonsville, MD on a photoshoot arranged by the Baltimore Camera Club.