“I often think of that rare fulfilling joy, when I am in the presence of some wonderful alignment of events. Where the light, the colour, the shapes and the balance all interlock so beautifully that I feel truly overwhelmed by the wonder of it.” – Charlie Waite
“To me, pictures are like blintzes – ya gotta get ‘em while they’re hot.” – Weegee
“Creativity with portraits involves the invocation of a state of rapport when only a camera stands between two people…mutual vulnerability and mutual trust.” – Minor White
“Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma,” she once wrote. “They’ve already passed their test in life. They’re aristocrats.” — Diane Arbus
“I’m trying to please myself; certainly that’s a big criterion… though in a sense, I don’t take images just for myself. I take images that I think other people will want to see. I don’t take pictures to put in a box and hide them. I want as many people to see them as possible.” – Mary Ellen Mark, Mary Ellen Mark : 25 Years by Marianne Fulton, Page: 14
“I was never much of a promoter of my work—I’ve probably given away more prints than I’ve sold.” – Herb Quick
Original link from Steve Oney: – How to create luminosity masks in Photoshop Luminosity masks essentially select a narrow part of the luminosity (brightness) histogram and allow you to modify your image very precisely. So, if you wanted to select and darken only the light/lights you can do that without trying to brush what may be small or intricate areas. You can buy a program that automatically produces luminosity masks from Tony Kuyper or other locations. These programs may break the luminosity histogram into as many as 32 segments for great precision in modifying your image.
Thanksgiving table at my sister’s house. Food was great too.
“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.” — John Cage
“No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.” — Ansel Adams
“Don’t ask “‘Should I …?’. Instead, ‘Ask what happens if I …?’” -– John Paul Caponigro
Dianthus. It has really been a pleasure to head out to my little garden first thing in the morning to capture the early light on flowers. Normally I don’t care about metadata, but it can be helpful for macro work: 200 macro lens, f/10, 1/160, ISO 400, tripod.
Coneflowers. 105 mm macro lens. f/16; 1/80; ISO 400; tripod.
Coneflower. 105 macro lens. 1/100; f/16; ISO 400; tripod.
“But Kandinsky did not intend for his theories to be prescriptive. Artmaking, he insisted, was about freedom.” — From How to Be an Artist, According to Wassily Kandinsky, by Rachel Lebowitz, Jun 12, 2017, Artsy.net
“Quitting merely because you’re behind is a trap, a form of hiding that feels safe, but isn’t. The math is simple: whatever you switch to because you quit is another place you’re going to be behind as well. It’s not a race, it’s a journey. And the team that scores first doesn’t always win.” — Seth Godin, June 13,2018
“It’s true that you’re not good enough yet. None of us are. But if you commit to trying hard enough and long enough, you’ll get better.” — Seth Godin, June 16, 2018
“Every day you play with the light of the universe.” — Pablo Neruda
“To those of you who … have a frustrated streak of anarchy within you: f*ck the rules. Colour outside the lines. Fill your canvas with blazing colours and leave the muted browns for Leonardo DaVinci. He had his chance. Find your own way. You have one life: do you really want to spend it imitating others? … It takes courage to point the camera the other way, to trust your own taste, to do more than what is expected. To open yourself up to the world through your art by saying, “Here it is—here I am—take it or leave it,” knowing that far more people than not will choose to leave it.” — David duChemin
“A photograph has a soul in its own right, incorporating numerous elements which range from the books one has read, the music one has heard to the people one has loved.” — Kita Etsuko from Adore Noir, Issue 40
“Critics are useful, but remember that the first to believe in your work must be you.” – Lorenzo Meloni
“Sometimes there’s a unique picture whose composition possesses such vigour and richness and whose content so radiates outward from it that the single picture is a whole story in itself.” — Henri Cartier-Bresson
“I prefer people to look at my pictures and invent their own stories.” – Josef Koudelka
“One reason so few of us achieve what we truly want is that we never direct our focus; we never concentrate our power. Most people dabble their way through life, never deciding to master anything in particular.” – Anthony Robbins
“Concentrate on your motivation… and the thought of what about the scene made you stop to look.” – Richard K. Kaiser
“Who knows how many artists fail because the light that shines through them is defracted in a thousand directions and not concentrated in a single beam?” – Eric Maisel
“What I’m documenting can be hard to distill, because it’s all around us like the air we breathe. I often need to go to a place where I can capture extreme moments.” – Lauren Greenfield
“I wanted to make pictures that felt natural, that felt like seeing, that didn’t feel like taking something in the world and making a piece of art out of it.” – Stephen Shore
“There’s something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically… I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.” – Stephen Shore
“To be more creative is to get closer to childhood.” — Sarah Moon
“The point of art has never been to make something synonymous with life, however, but to make something of reduced complexity that is nonetheless analogous to life and that can thereby clarify it.” — Robert Adams in Beauty in Photography
“What transforms of into about is interpretation — taking all the tools of craft and visual language and pulling at emotion. Colour does that. Motion does that. Tension and scale do that. The challenge … is matching the tools with the thing we are trying to say.” — David duChemin in The Soul of the Camera