Monday Missive — February 17, 2020

Quotes

. . . it isn’t a visual diary, as with so much contemporary photography; it’s an autobiography of feelings and impressions, not of facts and events.” — Russell Hart on Cig Harvey’s work

I have date nights with my photographs. I put them all up on the wall, look at what I’ve made and try to see what direction the work is taking. This understanding influences the pictures I do from that point on. What the work is about slowly rises to the surface.” — Cig Harvey

I think that emotional content is an image’s most important element, regardless of the photographic technique. Much of the work I see these days lacks the emotional impact to draw a reaction from viewers, or remain in their hearts.” –- Anne Geddes

Links
Photoessays/Bodies of Work
– Modern Boyhood In my opinion, not fine art, but certainly more than family snapshots.
– Stephen Shore: Unorthodox photography Possibly the best explanation I’ve seen for this type of photography. As record, it has value, as art, all I see are, at best, well-chosen snapshots.
– Street photography in Bengal India

Post-processing
– Accurately re-color your images with gradient maps

Field/Studio
– Macro photography tips
– 7 tips on BW Street photography from Alan Schaller

Miscellany
– Emotion in Landscape photography
– Writing your artist statement

Baltimore skyline from Harbor East promenade.

A dock along the promendade at Harbor East.

Monday Missive — November 25, 2019

Quotes

“I tend to question photography, not regurgitate it.” — Duane Michals

I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody’s face in a photograph. The magic is in seeing people in new ways.” – Duane Michals

A photograph is an invitation to look – and to look at looking.” – John Paul Caponigro

Links
Photoessays/Bodies of Work
– Street photography with a good use of shadows and silhouettes
– Duane Michals
– Conflict Photography: Lynsey Addario

Post-processing
– Dramatic BW processing
– Using gradient maps for BW
– Black and white processing
– Convert flat 2D to 3D in Photoshop This was really neat but complicated. Using 3D is learning a whole new set of tools and options; it is like learning a whole new appliction. Still – worth watching just to know what is possible.
– Comparison of the new 1-click selection tools in PS 2020

Field/Studio
– Minimalist photography: 6 tips learned from Michael Kenna
– Simplification and negative space

View from the head of the Observation Trail off of the Black Marsh Trail.

Black Marsh, North Point State Park, MD, shortly before Thanksgiving.