Monday Missive — November 4, 2019

Quotes

I work in color sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white – I like the abstraction of it.
–- Mary Ellen Mark

Basically there are informational photographs and emotional photographs. I don’t take informational photographs. I am not a journalist. I am an author. I am not interested in facts. I want a photograph you can take out of context and put on your wall to read like a poem.” —- Leonard Freed (Worldview, Steidl 2007)

When I was a boy, I used to pretend my little bed was a one-man spaceship. It was a place to simultaneously explore my dreams and hide from the world. In some ways that’s how I now think of my camera.” —- Alec Soth

Links
Photoessays/Bodies of Work
– 2019 Wildlife competition winners
– Dogs
– Interesting story and photoessay on the Upper Peninsula of Michigan
– Nikon 2019 Small World competition winners

Post-processing
– How to cast a shadow in PS Creating believable shadows is important in composites, but also shows how to use gradients and other effects.
– How to remove a color cast from your images
– Change a daylight image to night
– Adding a pattern or logo Neat technique that may be good for street as well as commercial work.
– Transform panel in LR: Correcting perspective of your images

Miscellany
– Model and property releases
– Heads up: Adobe data breech

Juvenile little blue heron eating a frog. Black Marsh Trail, North Point State Park.

Splash landing in the sand. Cape May, NJ

The pier at Avalon, NJ at sunrise.

Monday Missive — September 30, 2019

Quotes

It’s pretty simple, really. Be decent, friendly, curious and respectful. Works most of the time.” — Joe McNally

Ultimately, the goal in my work is to elicit emotion, be it wonderment, joy, silliness, happiness, solitude. I think because I shoot for feeling rather than just for a scene, perhaps that makes my vision of the world and thus my photography, different.” — Marianne Drenthe

But sometimes, when all our energy goes into progress, acquisition, and productivity, it leaves a huge emptiness of the heart.” — John O’Donohue

Links
Photoessays/Bodies of Work
– Photographs of childhood
– Rust
– Marcia Resnick’s “Re-visions”: Concerns and fantasies of an adolescent girl
– Photographers comments on their favorites from The Americans

Post-processing
– 4 ways to remove a color cast
– How to fix oversaturated images Pretty technical, but interesting approach. Also some implications for processing BW images.
– How to get 1000 free brushes from Adobe if you are subscribed Also shows how to use the Library effectively

Field/Studio
– Going back to re-photograph the same location can pay off
– Featuring Simon Baxter: Introverts and landscape photography

Miscellany
– Finding your camera’s shutter count

Images from a workshop in Cape May, NJ with Road Runner Photography Tours

Cape May Lighthouse at dawn from the end of Beach Ave, Cape May, NJ.

Sand fence on the beach.

Young woman with a casually elegant pose at Sunset Beach, Cape May.

Monday Missive — July 22, 2019

Quote

Quotes

Success to me is being a good person, treating people well.” – David LaChapelle

Mysteries lie all around us, even in the most familiar things, waiting only to be perceived.” – Wynn Bullock

You are responsible for every part of your image, even the parts you’re not interested in.” – Jay Maisel

Links

Photoessays/Bodies of Work
– This body of work is titled “Wild Spirits,” but I don’t really see that in the work. It is a somewhat dream-like portrayal of the less developed areas of the south; Ossabaw Island in SC being specifically mentioned.
– How six women photojournalists shaped photography

Post-processing
– Quick and easy way to copy dimensions and resolution from one image to another 90 second video
– Filling in hair gaps using the Lighten blend mode Blend modes are one of the advantages off Photoshop over Lightroom
– Sharpening with the High Pass Filter in PS 4.5 minute video. One of the easiest to follow explanations of this I have seen. Only issue for me is that she said the image was a bit noisy, and I would have reduced luminance noise before sharpening so you don’t sharpen the noise as well.
– How to add a texture to an image, apply it to only part of the image, but keep the color background on the whole image
– Understanding how Lightroom synchs to the cloud
– Simplified color correction

Field/Studio
– Landscape photography tips Some thoughtful general advice on landscape photography.
– Photographing Mountains

In the heat of the last week and a half, I have been thinking back to a trip to the Canadian Maritimes and remembering that it was a lot cooler up there.

Beaulach Ban Falls, Cape Breton, Nova Scotia, Canada

Kejimkujik Seaside Adjunct, panorama.

Kejimkujik National Park, Seaside.

Monday Missive — December 31, 2018

Quotes

…follow the quiet nudges of your intuition.” — Ursula von Rydingsvard

“...I can doubt pieces before making them, but I have to jump into the unknown to get somewhere. I have to dare to make them.” — Paola Pivi

But most [photo] books will then use end text, or some form of additional context to answer those questions. To make the cause of the tension, or the roots of the intention, known.” — Jonathan Blaustein on Dec 21, 2018

Links

– San Juan Mountain image and story Very short story on the making of a particular image
– Color correction and compensaton 20 minute video
– Fixing edges of cutouts in Photoshop This was very helpful for a common problem.
– Cutting out complex subjects 15 minute video
– Color grading in camera raw 6 minute video
– How to build confidence as an artist
– Portrait approaches
– Wildlife Photography: How to get better and better
– Adjusting luminosity without effecting color
– Best National Parks for landscape photography

 

A small boat on the beach with the Bay Bridge in the background.
Stranded by the Bridge. Taken at Sandy Point State Park.
Boat on a beach with Chesapeake Bay Bridge in the background.
Sandy Point State Park. Would like to get comments on which you perfer.