Sunset at Chinde Point in Petrified Forest National Park.
I have been mostly working on my Foggy Morning Marsh pictures, so I decided to give you all a break and look backwards. It can be embarassing, but also comforting to know that I have made at least a little photographic progress since about 2016.
“Photographs somehow feel unfinished if they are not part of a completed project. In fact, I’m haunted by particular images that I haven’t been able to connect firmly to others yet.” — Matthew Connors, ibid., p 51.
“The photobook is the perfect form for me because, through sequencing, it allows us to tell the story exactly as it should be told.” — Sian Davey, ibid. p 59.
“The tool so many of us use to make our art—the camera—is also a way to see the world; to be more alive in this world. It can be a tool that brings such joy, and a means of saying things about the world, and ourselves, that we might not have otherwise. … It holds you to no obligation except that you hold it to your eye and see things anew.” — David DuChemin
“Most of the pictures you see, you actually miss. So inevitably, what you end up doing is taking a lot of rubbish. In fact, the basic theory is, the more rubbish you take the better the chances of a good photo emerging as well. So, keep on taking the rubbish.” — Martin Parr, Magnum Photographer, from The Art of Street Photography
“Saturate yourself with your subject, and the camera will all but take you by the hand and point the way.” — Margaret Bourke-White
Camera/Field Techniques: – Choosing the right neutral density filter Think in advance of what effect you are seeking. Too long, and the effect is overdone, i.e., I don’t like milk in my streams, but smooth water can be very nice.