Monday Missive — February 10, 2020

Quotes

What I respect, and at times envy, about painting is that it never claims to be anything other than a purely subjective vision. And we place no false expections on it in terms of its truth value. Photographs, on the other hand, are never entirely fiction or nonfiction.” — Gregory Halpern

Photography is serial in nature, and oftentimes a group of pictures becomes a much deeper thing than a gathering of single images.” — Todd Hido

. . the photographs gain much of their power and meaning from being seen together, in groups that don’t so much suggest a narrative as they do the rhythms of a family life in rural Maine and a continuing search for beauty in small things that might otherwise go unnoticed.” — Russell Hart on Cig Harvey’s work

Links
Photoessays/Bodies of Work
– Thomas Alleman: Social Studies
– Hokkaido winter landscapes
– David Freese: Mississippi River
– Cig Harvey: State of Being

Post-processing
– Compositing tips and tricks This is a really good session, with great details on persepctive, color and luminosity matching, levels, curves, smart objects and more.
– Fixing distortions from wide angle lenses
– Using the difference blend mode to color grade and tone A very interesting approach

Field/Studio
– Mindfulness to succeed at street photography
– Creating mood in street photography

Miscellany
– Creating a Portfolio From Steve O.

I was at Big Cypress National Preserve in Florida (just northwest of the Everglades), photographing in a swamp and concentrating on the trees and moss across an open stretch of water when I looked up to see this guy just a few feet away. I backed up pretty quick. It was amazing how quietly an animal that size can move. After my heart slowed down, I shot this at 300 mm with an 80-400 lens.

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