Monday Missive — July 20, 2020

Quotes

Magritte was an artist who worked in ideas, not in craft.” – Seth Godin 11/17/14

[Photography is] very related to poetry. It’s suggestive and fragmentary and unsatisfying in a lot of ways. It’s as much about what you leave out as what you put in.” — Alec Soth

There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.” – Berenice Abbott

Links
Photoessays/Bodies of Work
– Soomin Sam: Portraits, windows, once upon a time
– Michael Darough. An interesting approach to exploring racial justice
– Karen Bullock: Presence Obscured Difficult topic done well.
– Tom Leighton: Tokyo

Post-processing
– PS masking tips
– Simple composition tips for Lightroom
– Fix my image

Field/Studio
– Sean Tucker: Minimalist Street Photography

Miscellany
– How durable is your camera sensor
– The bird box diary: Some quiet self-reflection on landscape and wildlife photography

Blue dasher dragonfly, male. Black Marsh Trail.

Coneflowers.

Monday Missive — February 10, 2020

Quotes

What I respect, and at times envy, about painting is that it never claims to be anything other than a purely subjective vision. And we place no false expections on it in terms of its truth value. Photographs, on the other hand, are never entirely fiction or nonfiction.” — Gregory Halpern

Photography is serial in nature, and oftentimes a group of pictures becomes a much deeper thing than a gathering of single images.” — Todd Hido

. . the photographs gain much of their power and meaning from being seen together, in groups that don’t so much suggest a narrative as they do the rhythms of a family life in rural Maine and a continuing search for beauty in small things that might otherwise go unnoticed.” — Russell Hart on Cig Harvey’s work

Links
Photoessays/Bodies of Work
– Thomas Alleman: Social Studies
– Hokkaido winter landscapes
– David Freese: Mississippi River
– Cig Harvey: State of Being

Post-processing
– Compositing tips and tricks This is a really good session, with great details on persepctive, color and luminosity matching, levels, curves, smart objects and more.
– Fixing distortions from wide angle lenses
– Using the difference blend mode to color grade and tone A very interesting approach

Field/Studio
– Mindfulness to succeed at street photography
– Creating mood in street photography

Miscellany
– Creating a Portfolio From Steve O.

I was at Big Cypress National Preserve in Florida (just northwest of the Everglades), photographing in a swamp and concentrating on the trees and moss across an open stretch of water when I looked up to see this guy just a few feet away. I backed up pretty quick. It was amazing how quietly an animal that size can move. After my heart slowed down, I shot this at 300 mm with an 80-400 lens.