Monday Missive — November 6, 2017

Quotes

“. . . what we hope for from the artist is help in discovering the significance of a place.” — Robert Adams in Beauty in Photography

. . . there is an incredible hunger to make and share images. . . . knowing how to use a complicated camera no longer serves as a barrier to creating those images.” — David duChemin in The Soul of the Camera

I impose the way that I see, the way that I feel, the way that I connect on the landscape.” — Michael Kenna

Links

It as been a couple of weeks since the upgrades from Adobe for Lightroom and Photoshop, so by now the confusion should be abating, but for those who missed it, here is another decent explanation: – LR Classic vs CC and a link to the more specific PS upgrades
– A clearer explanation of Lightroom Classic vs Lightroom CC Makes clear that the current version of LR is the last one without a subscription.
– One more time on Adobe updates
– Professional photography with minimal equipment
– Forest photography
– Making the most of mirrorless, a review of advantages and options
– Two great things about LR panoramas
– No excuses! Just Do It!
– The curvature pen tool in the new Photoshop

From Steve Oney
– New and better sharpening in PS 2018

Walking horses out to pasture in the morning at a horse farm in Catonsville, MD on a photoshoot arranged by the Baltimore Camera Club.

Monday Missive – Nov. 28, 2016

Quotes

[Laura] Henkin said, “I don’t think it gets talked about a lot, but I believe strongly that photographs should all be presented as interpretive prints—meaning, the artist is directing the viewer in what to see. In order to accomplish that, they need to have a strong idea of what the print should look like, and then an ability to lead their chosen tools to execute their idea for the print.” Cited by Jon Cone

In the arts there are many right answers.” – Jerry Uelsmann

If it doesn’t have ambiguity, don’t bother to take it. I love that, that aspect of photography—the mendacity of photography—it’s got to have some kind of peculiarity in it or it’s not interesting to me.” – Sally Mann

Links

– Changing Perspectives
– New Zealand
– Using the brush size to realistically cut out hair
– Using the Pen tool
– Adding a colored background to a photo Also how to use the refine edge brush in Select and Mask.
– Grand Landscape, Part I

I saw these possessions sitting on the street, all neatly folded and piled, with a note to an acquaintance and a begging sign.  It told one story, but I couldn't help but wonder, what the story would have been if I could talk to the owner.

I saw these possessions sitting on the street, all neatly folded and piled, with a note to an acquaintance and a begging sign. It told one story, but I couldn’t help but wonder, what the story would have been if I could talk to the owner… A life piled in 2 square feet.