Monday Missive — April 1, 2019

Quotes

The tool so many of us use to make our art—the camera—is also a way to see the world; to be more alive in this world. It can be a tool that brings such joy, and a means of saying things about the world, and ourselves, that we might not have otherwise. … It holds you to no obligation except that you hold it to your eye and see things anew.” — David DuChemin

Most of the pictures you see, you actually miss. So inevitably, what you end up doing is taking a lot of rubbish. In fact, the basic theory is, the more rubbish you take the better the chances of a good photo emerging as well. So, keep on taking the rubbish.
Martin Parr, Magnum Photographer, from The Art of Street Photography

Saturate yourself with your subject, and the camera will all but take you by the hand and point the way.” — Margaret Bourke-White

Links

Photo essays/Bodies of Work:
– Nick Brandt: This empty world Incredible realistic composites addressing the constant habitat destruction from “progress.”
– Abstracts on print paper using beer cans The idea is interesting. From the process description I’m unclear on how exposure takes place unless it is simply light leaks.
– Alec Soth: A year meditating and new approaches
– Andrea Modica. An interesting mix of street, documentary and portraiture

Photoshop Techniques:
– Making reflections Uses blend modes, blur, wave and Blend-If
– Fix banding in your images

Camera/Field Techniques:
– Choosing the right neutral density filter Think in advance of what effect you are seeking. Too long, and the effect is overdone, i.e., I don’t like milk in my streams, but smooth water can be very nice.

From Steve Oney:
– Alan Schaller street photography
– How to light glass There are more videos in this series about lighting shapes, dimension and texture, separation, color, etc.
From George Spicer:
– Night Photography Events Calendar

The Stad Amsterdam, a three-masted clipper design, was in town this week. It takes the best qualities of clipper ships, but has some improvements to make it safer like having a steel hull. She is quite fast for a sailing ship. Her normal speed is 15 knots. Her crew is Dutch, but the language on board is English.
Rigging of the Stad Amsterdam with the World Trade building in the background.
Off loading the gang plank.

Monday Missive — February 26, 2018

Quotes

What I’m documenting can be hard to distill, because it’s all around us like the air we breathe. I often need to go to a place where I can capture extreme moments.” – Lauren Greenfield

I wanted to make pictures that felt natural, that felt like seeing, that didn’t feel like taking something in the world and making a piece of art out of it.” – Stephen Shore

There’s something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically… I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.” – Stephen Shore

Links

– Editing your own work I think most of us have faced this issue
– The art of travel photograpy Long video on travel
– Quick mask mode in PS
– Neutral density filters
– Curate your slides
– Spirit bears and the temperate rain forest
– Awesome time lapse of Canadian wilderness with discussion of how he made it
– Finalists for World Press Photo of the year Be prepared for some heart breaking images.
– Confidential male initiation in Senegal Interesting images and cultural story.
– Is scouting landscape locations worthwhile?

Waiting for summer at Sandy Point Beach, MD. Nikon D800E, 80-400 @ 330, f/5.6, 1/640, ISO 200.