Monday Missive — November 27, 2017

Quotes

It has been liberating to allow myself to make work that is “really bad” without judging myself for it and without abandoning the journey.” — Claire Rosen in Imaginarium

Successful art rediscovers Beauty for us.” — Robert Adams in Beauty in Photography

What’s the best expression of that subject? That is exactly the question we try to answer: a question that can ultimately only be answered by our vision.” — David duChemin in The Soul of the Camera

Links

– William Neill retrospective
– Adding realistic text to an object Uses several techniques including displacment map, bevel and emboss, clipping layers and smart filters/objects to make the text interact with the texture and color of a book cover.
– Adding noise creatively
– Jerry Uelsmann
– Looking at the work of painters can lead to new ways of seeing photographically
– Getting stuff done This is not only applicable to photography
– Assignment 14: Food photography
– Weegee Weegee was a famous photojournalist that is worth knowing about.
– Masking, gradients, collaging Good video at a slow pace to explain how to combine and blend images.
– Easter eggs (hidden options) in Photoshop

Pipe Smoker, Teddy Roosevelt Park, NYC, day after Thanksgiving, 2017


Water towers, NYC, from hotel room.


Experimental: Triple in-camera exposure from a moving train.

Monday Missive — May 29, 2017

Quotes

The doing is the thing. The talking, and worrying and thinking about the thing is not the thing.” — Amy Poehler

Every photograph is altered, to one degree or another.” – John Paul Caponigro

Many oriental cultures make a distinction between two ways of looking – ‘hard eyes’ and ‘soft eyes’. When we look with hard eyes, we see specific details with sharp focus, but we don’t see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don’t see all the details as clearly. It’s possible to look in two ways at once.” – John Paul Caponigro

Links

– Using color gradients in compositing to add emotional impact Another excellent Kost video
– Venice rookery in FL
– Award winning composites
– What it is really like taking pictures at Antelope Canyon
– Focus stacking in Photoshop Although more commonly used for close-ups, focus stacking can also be useful for landscapes to keep the foreground, mid-ground and background all in focus.
– Minimalism I think the author is too negative about this compositional approach, probably mostly because he feels it is overused. It is one tool in the box and works really well for some images.
– Nature photography
– 10 Nudges toward action
– Shooting close-ups with extreme wide-angle lenses
– Bellows for macro photography

They are 4 years early and getting noisier by the day. Climate change?

Monday Missive — February 27, 2017

Quotes

Creativity isn’t about wild talent as much as it’s about productivity. To find new ideas that work, you need to try a lot that don’t. It’s a pure numbers game.” — Robert Sutton

I found I could say things with colors that I couldn’t say in any other way – things that I had no words for.” – Georgia O’Keeffe

Art does not reproduce the visible; rather, it makes visible.” – Paul Klee

Links

– Creative flower photography
– Are photography trade shows worth it?
– Lightroom’s tone curve
– Photographing textures
– How to create a surreal photo collage Includes several brief tutorials on different aspects of compositing
– How to create a dramatic sky in photoshop Shows how to use Blend-If
– The Art of Photography: images from Assignment 3
– Flash diffusers
– Mt. Assiniboine – The story of the picture
– Photography by the letters
From Steve Oney: – Portfolio review video with James Estrin of the times of Kristin Adair’s project related to incarceration This gives good insight into creating a body of work for those who generally shoot without specific intent.
– Inspirational BW photo

Beach Walker, Cape Cod, 2013

Monday Missive – December 5, 2016

Quotes

For the marketer, the freelancer and the entrepreneur, the challenge is to level set, to be comfortable with the undone, with the cycle of never-ending. We were trained to finish our homework, our peas and our chores. Today, we’re never finished, and that’s okay.
It’s a dance, not an endless grind.
” — Seth Godin

I feel that all you can do is give it your absolute best with whatever gifts the universe has given you. And if you make it in some way that other people can recognize, that’s fine. But even if you don’t quote-unquote make it, you’re fine, if you’ve given it your whole heart and soul. You’re totally in sync with your purpose and with the universe. And that’s fine.” – Alice Walker

If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.” – Eve Arnold

Links

– Macro tips
– Select and Mask vs Refine Edge
– Camera resolution vs print resolution
– Printer resolution and settings
– Photoshop skills you need
– Grand Landscape Part II
– Resources for planning a photo trip
– Getting sharper images
– Lighting controls
– Perspective on photographing in Japan from a young Japanese photographer
– Environmental portraits with Flash with Joe McNally

captive

I find this to be a disturbing image, mostly because of the sculpture titled “The City Destroyed” by Ossip Badkine, supposedly representing anguish at the destruction of Rotterdam in WWII, but I think the strongly contrasting background and the broken windows add to the feeling. What do you think?