Monday Missive — January 20, 2020

Quotes

“There’s something corny about it,” Soth says of road trip photography. “I’m embarrassed of using that structure. But I keep returning to it.” — Alec Soth

“After I snap the shutter I never know if a photograph is truly special. Even months later I usually don’t know. Great photographs are a mix of light, time, and magic.” — Alec Soth

“I do think my work is as much about exploring the possibilities of picture-making as it is about the subjects I’m interested in.” — Dawoud Bey

Links
Photoessays/Bodies of Work
– Women Serving Life Sentences The combination of images and text is very emotionally powerful.
– Duane Michals
– An Invented World

Post-processing
– Creating composites and collages

Field/Studio
– Photographing winter waterfalls With a segment on how to dress to stay comfortable in winter weather
– Composition and Foreground
– Mermaid and plastic

Miscellany
– How Lightroom actually works with your files
– Nikon symphony About as “miscellany” as it gets. Just a minute and a half.
– Dealing with online criticism

Sunset at Chinde Point in Petrified Forest National Park.

I have been mostly working on my Foggy Morning Marsh pictures, so I decided to give you all a break and look backwards. It can be embarassing, but also comforting to know that I have made at least a little photographic progress since about 2016.

Monday Missive — January 13, 2020

Quotes

Art is when we can go deeper, and think, and feel, and understand, and analyze. And laugh and cry. And then go even a little deeper.” — Elinor Carucci in Photowork: Forty Photographers on Process and Practice, Sasha Wolf (ed.), p 32.

Photographs somehow feel unfinished if they are not part of a completed project. In fact, I’m haunted by particular images that I haven’t been able to connect firmly to others yet.” — Matthew Connors, ibid., p 51.

The photobook is the perfect form for me because, through sequencing, it allows us to tell the story exactly as it should be told.” — Sian Davey, ibid. p 59.

Links
Photoessays/Bodies of Work
– Peter Dawson landscapes
– Andrea Bruce: Democracy
– Alec Soth: Reframing the American photographic road trip From Steve O.

Post-processing
– Remove a fence Also some blur and sharpening applications
– Improving the color in your images with the calibration palette
– Matt K processes a basketfull ofimages in LR You can learn a lot from these.

Miscellany
– Best images of 2019 John Paul Caponigro has compiled a list of the best photos from 2019 from numerous sources.
– Best photography contests for 2020
– Consistency?
– Famous first photographs

Stream at Ferncliff Nature Preserve, PA

Ferncliff Nature Preserve, PA

Monday Missive — January 6, 2020

Quotes

You just do what you love, and then a style happens later on.” –- David LaChapelle

I’ve never been comfortable photographing people I know, myself included. I guess I prefer the mystery of strangers.” — Alec Soth

The way to get unstuck is to start down the wrong path, right now. Step by step, page by page, interaction by interaction. As you start moving, you can’t help but improve, can’t help but incrementally find yourself getting back toward your north star. You might not end up with perfect, but it’s significantly more valuable than being stuck. Don’t just start. Continue.” -– Seth Godin, 11/4/12

Links
Photoessays/Bodies of Work
– Kramer O’Neill: Where they fall
– Creative soul photography
– Pretty cool industrial photography
– Swallowed by Darkness: Fine Art/Street Photography
– Keith Carter: 50 years on

Post-processing
– Look-up Tables (LUTS)
– Getting really sharp cut outs

Field/Studio
– Cole Thompson: 5 steps

Miscellany
– Women conflict photographers
– Favorite books of 5 famous photographers

Hand-made brooms won 4th place last week at the camera club. Processing included using a gradient map.

Continuing my experiments with adding color.

More foggy mornings.

This one used antique sepia.