{"id":6981,"date":"2021-02-22T00:42:00","date_gmt":"2021-02-22T05:42:00","guid":{"rendered":"http:\/\/richeskinphoto.com\/blog\/?p=6981"},"modified":"2021-02-22T00:42:00","modified_gmt":"2021-02-22T05:42:00","slug":"monday-missive-february-22-2021","status":"publish","type":"post","link":"https:\/\/richeskinphoto.com\/blog\/?p=6981","title":{"rendered":"Monday Missive — February 22, 2021"},"content":{"rendered":"

Quotes<\/strong><\/p>\n

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty in what I attempt is seeing beyond the moment. The “every dayness” of life gets in the way of the eternal. . . . Taking a picture is indeed stopping the world.<\/em>” — George Tice<\/strong><\/p>\n

“Look, I’m not an intellectual – I just take pictures.<\/em>” — Helmut Newton<\/strong><\/p>\n

“It is light that reveals, light that obscures, light that communicates. It is light I \u201clisten\u201d to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening\u2014a time for making photographs<\/em>. – John Sexton<\/strong><\/p>\n

Links<\/strong>
\nPhotoessays\/Bodies of Work<\/strong>
\n– Roll and tube collective<\/a> This one is definitely fun and creative.
\n– Covid LA in infrared<\/a><\/p>\n

Post-processing<\/strong>
\n– Painting with light to improve your landscapes<\/a>
\n– How to focus stack in Photoshop<\/a> Really good, very straighforward explanation and directions for focus stacking landscapes.<\/p>\n

Field\/Studio<\/strong>
\n– Exploring a medieval woodland<\/a>
\n– David DuChemin: Make more interesting images<\/a> Includes a link to a free monograph on Hokkaido
\n– How to plan when photographing a new location<\/a>
\n– The Scottish Highlands: Expressive decisions<\/a>
\n– How high can you raise your ISO before seeing noticable noise<\/a><\/p>\n

Miscellany<\/strong>
\n– Tom Heaton: How did I end up with so many cameras?<\/a><\/p>\n

\"\"

Tide Point industrial.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

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