“Don’t cheat the world of your contribution. Give it what you’ve got.” – Steven Pressfield
“A very subtle difference can make the picture or not.” – Annie Leibovitz
“I want to make photographs whose very ambiguity provokes thought, rather than cuts it off prematurely. I want to make pictures that work on a more mysterious level, that approach the truth by a more circuitous route.” – John Pfahl
Photoessays/Bodies of Work – Monochromatic minimalism – Re-examining “consent” in an age where neither the photographer nor the subject may control where an image shows or how it is used. This is an interesting discussion, but not sure that what Berman suggests is feasible or realistic. – Widow/er A “poignant and elegant” portrait series
“That’s why I fight against the notion of rules. . . They don’t encourage the kind of questions that will get us to making better photographs. They don’t ask Why. As in, ‘Why am I making this photograph and what do I want to say?‘” — David DuChemin
“I was not schooled in photography, I didn’t know what the rules were, and I broke a lot of them. I think it made my work more intriguing.” — Franz Lanting
“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” — George Tice
“If it’s a likeness, alone, it’s not a success. If, through my portraits, you can come to know the subjects more meaningfully, if it synthesizes your feelings toward someone whose work has imprinted itself on your mind–if you see a photograph and say, ‘Yes, this is the person,’ with a little new insight–that is a beautiful experience.“ — Yousuf Karsh
“I have always been a firm believer in photographic experiments. Only by attempting everything personally can a photographer begin to understand the scope of photography..…No picture, verbal description or how-to-do-it article can supersede first-hand experience.“ — Waclaw Nowak
“As photographers we sell ’emotion not emulsion.’ the tools are immaterial, the resulting piece is all important.” –– Jeff Adams
“Art is a response to our humanity and the challenges it brings, not a break from it; it shouldn’t be an obligation.” — David DuChemin
“I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.” — James Nachtwey Quote taken from his homepage (www.jamesnachtwey.com)
“My job as a portrait photographer is to seduce, amuse and entertain.” — Helmut Newton
“In a world filled with empty noise, the most important slots are reserved for the poets we seek to listen to, and the poet we seek to become.” — Seth Godin, December 25, 2018
“Our ideas regarding success should be our own, and I urge you to pursue it simultaneously from both the inside and the outside. I agree completely with Georgia O’Keefe, who thought that “whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.” ” …
Nobody reads artist’s statements. Learn to tell an interesting story about your work that people can relate to on a personal level.
Not every project will survive. Purge regularly, destroying is intimately connected to creating. This will save you time.
Edit privately. As much as I believe in stumbling, I also think nobody else needs to watch you do it.
— Teresita Fernández excerpted from On Amnesia, Broken Pottery, and the Inside of a Form, seen on Lens/cratch
“Why don’t you put that old print on the floor and I’ll step on it for you and make it even more vintage.” — Brett Weston to Scott Nichols
“A good snapshot stops a moment from running away.” — Eudora Welty
“I just love to work on something until I get it right. To me, what’s important and what I enjoy is not the finished photograph but the process. The photograph is a record of that process.” — Kim Weston
“Even if you’re not sure of where it will lead, today’s the day to begin.” — Seth Godin, November 3, 2018
“Look at the acknowledged masters of this craft and you will see large bodies of work that focus on specific places, subjects, themes. Do masters only focus on a few things? No. Focusing on a few things is what gives us a chance at becoming masters.” — David duChemin
“Do not adjust your mind, the fault is in reality.” — R. D. Laing
I was taken by this still life, mostly by the warm late afternoon light on my wife’s potting table. Just after the first snow, spring seems so very far away.
A building along Pratt St., near the convention center. I was attracted by the extreme repetition and geometric shape. For some reason two panes stood out and I enhanced the blue with a BW/luminosity layer and a saturation adjustment layer. Left in the top of the tree for scale and to add a bit of “imperfection” to the image.
“The best critiques I’ve seen are not about the image’s technical properties. The best critiques question why the photograph was created in the first place.” — CJ Chilvers in A Lesser Photographer
“The crickets felt it was their duty to warn everybody that summertime cannot last for ever. Even on the most beautiful days in the whole year – the days when summer is changing into autumn – the crickets spread the rumor of sadness and change.” — E.B. White, Charlotte’s Web
“Reality-based reality: It’s ever easier to weave our own reality … . We can invent our own rules, create our own theories, fabricate our own ‘facts’. It turns out, though, that when your reality is based on actual reality, it’s a lot more stable and resilient, because you don’t have to be so vigilant about what you’re going to filter out.” — Seth Godin, 8/7/18
“Photography extends our perception allowing us to see and experience more – second hand.” –- John Paul Caponigro
“If you try to corral or cage the photographic process, it will thumb it’s nose at you. The trick is just to flow with it and stop it when a moment of discovery has met inspiration.” — Paul Caponigro