Monday Missive — Dec. 18, 2017

Quotes

Criticism’s job is to clarify art’s mystery without destroying it.” — Robert Adams, Beauty in Photography

An expanding mindfulness of visual language gives me new ways to express myself, even if I am never understood.” — David duChemin, in The Soul of the Camera

Photography, like writing, is about storytelling. Pens and cameras are merely the tools we use to bring self-expression to life. If you have nothing to say, you images will reflect that. It’s important to build your own narrative through exploration, learning and diverse experiences that enrich your storytelling.” — Claire Rosen, Imaginarium

Links

– 7 Wildlife techniques
– Julianne Kost edits three images from Tasmania in detail This is as helpful for what she does as how she does it.
– Get out of a creative rut
– Becoming an international freelance photographer
– Use content aware scale to change aspect ratio of image
– Interesting photo essay about street people in Poughkeepsie
– Guides to BW photography Excellent profiles of 7 noteworthy BW photographers, including Kenna and Uelsmann and several techniques profiles
– Embed these concepts into your workflow
– Use multiple exposures to reduce image noise

From Steve Oney:
– Comparison of 10 photoshop alternatives If you haven’t committed to Adobe, several of these are much better than not processing your images at all or using the manufacturer’s software.
– NIK Fans: run NIK standalone

Out of the Maelstrom, color. I should note that all of my photo friends that chose to comment preferred the color version to the BW. What do you think?

Out of the Maelstrom

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3 Responses to Monday Missive — Dec. 18, 2017

  1. Buzz says:

    I pefer the b/w.. This treatment makes the subject pop more than the color version….

    Buzz

  2. Rich says:

    Buzz – Thanks for the feedback and for chekcing out the blog. You are the exception, most preferred the color; I am still vacillating.

  3. George says:

    I prefer the color – a lot of color contrast. I think the b/w loses the contrast.

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